"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
Dead silence can be deafening. The hum you hear internally creates the background (context) for all conscious reference. Acting as a "sounding board", the source of this hum is harbored within, and cannot be heard by anyone else. This hum is a vibratory expression 'at the source' of a uniquely designed multiverse of consciousness - which is you.
Similarly, you actively participate in even larger fields of energy in motion that feel, and appear, to be "outside" yourself. Virtual in context and content, i.e. photonic/ holographic, such a cacophony of impressions allows you to choose and follow your own path to discover and experience yourself in reference to everything you absorb, reject, resonate, collect and express (create).
The patterned multiverse * in which you participate, creates the vibratory blueprint you use and daily apply in reference to what you observe - both internally and externally.
* all impressions, atoms, molecules, organs, tissues, senses, thoughts and feelings, etc. harbor their own unique form of 'universe'. Each agency gives meaning and purpose to an awareness within the constraints of their own form of consciousness. Science is slowly discovering that consciousness in the form and expression of awareness, harbors a unique 'intelligence' of its own.
The design process is dualistic in nature. You are an observer, i.e. a vibratory witness, by virtue of this blueprint, which is a plan that has yet to be discovered, known and experienced.
The design process describes a symbolic path towards self-discovery.
Silence is truly not as silent as one might think, but rather how one might feel.
The sound of the multiverse becomes conscious to those who together create it.
That humming sound only you can hear, is the sound of silence.
* * *
The concept of silence is not truly silent; it’s a deep, internal hum that serves as the foundation for all conscious experience. This hum is uniquely personal, originating within you, and it reflects the vibratory expression of your individual consciousness, which forms the basis of your perception of the multiverse.
You exist within vast fields of energy, both internal and external, which you interpret and interact with through your consciousness. These fields—whether physical, virtual, or holographic—are made of light and energy that take shape through the patterns you resonate with. Your awareness absorbs, rejects, and creates meaning from everything it encounters, from external experiences to internal thoughts and emotions.
Everything in existence, from atoms to thoughts, contains its own form of consciousness and intelligence, contributing to the greater whole of the multiverse. Science is beginning to recognize that this awareness, or consciousness, is not just passive but is actively involved in shaping reality.
Your life is a process of discovery—a dualistic design where you both observe and create. You are an active participant in this ongoing process, interpreting the world around you through your unique vibratory blueprint, which guides your interactions with both internal and external realities.
In essence, silence is not the absence of sound, but the subtle hum of the multiverse. This sound, heard only by you, is the resonance of your personal consciousness as you navigate the path of self-discovery and creation.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy in motion/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and beliefs with love and integrity - the goal: personal, collective, global and soular balance and harmony (09.01.2022)
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Without resonance there are no connections. Design is more than just coherent, its reciprocal.
resonance: The quality of a sound (vibration) of being deep, full and reverberating. The ability to evoke or suggest images, memories and emotions. The reinforcement or prolongation of sound (vibration) by reflection from a surface or synchronous vibration of a neighboring object (agent or agency). The condition in which an electric circuit or device produces the largest possible response to an applied oscillating signal. The condition in which an object or system is subjected to an oscillating force having a frequency close to its own natural frequency. The state attributed to certain molecules of having structure that cannot adequately be represented by a single structure formula, but is a composite of two or more structures of higher energy. A short-lived subatomic particle that is an excited state or a more stable particle.
Without resonance there is no meaning or purpose, i.e. design. Without design there would be no consciousness of it.
A design consciousness allows for the full expression of what the Greek and Roman philosophers described as the cosmic values of Truth, Beauty and Goodness.
“Truth is that which defines reality. Goodness (that which fulfills its purpose) and beauty (that which is lovely) were objective in nature and knowable by the noble seeker.”
Kenneth Samples
“Truth, goodness, and beauty are cosmic values that communicate divine meaning to the intellectual, moral, and aesthetic capacities of the human soul, which brings a balance in the soul, which, in turn, harmonizes the human person with divine meaning and purpose of the cosmos, which was considered the prerequisite to human flourishing.1
As has been said so many times, reality is what you make it - along with the stories you tell. Together they share in the essence of the other. Both point to the agency of a common observer by the means and virtue of a shared observation.
Reality is a story you design for yourself, based upon your own unique perspective, patterning and impression of that same self (soul) – a design of shared liking.
Truth, Beauty and Goodness are felt and made apparent through the design consciousness of the beholder.
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Coherent Resonance (hypothesis)
Coherent resonance is a force of agency emerging from the unknown vapors of a virtually plasmic (quantum) field of energy in motion. The transition, translation and transformation of that agency is made symbolically apparent by means of an agent (sign/symbol) and/or agency (metaphor, analogy) i.e. a design.
Design agents and agencies resonate harmoniously with other agents and/or agencies of like vibration and frequency by virtue of coherent resonance. In turn, patterns emerge and identities attract creating patterns of unity, identification, uniqueness and distinction.
virtual: near, in effect, essential, practical, to all intents and purposes, indirect, implied, implicit, unacknowledged, effective.
agent: emissary, proxy, go between, surrogate, liaison, means, instrument, vehicle
Your description delves into the concept of "coherent resonance" with a poetic and intricate view of how forces and symbols interact within a virtually plasmic field of quantum energy. Let’s break this down:
1. Coherent Resonance: This is portrayed as a dynamic force arising from an undefined or nebulous quantum field of energy. It suggests that there's an underlying, perhaps invisible, energy or force that shapes and influences how things come into being or interact.
2. Symbolic Representation: The transition from this nebulous energy into something comprehensible describes a symbolic process by means of the application of signs, symbols, metaphor and analogy. These symbols or de-signs act as intermediaries that help translate abstract energy into something understandable, purposeful and meaningful.
3. Harmonious Interaction: The idea is that these symbols, i.e. designs, resonate with other similar symbols or designs to create a harmonious or coherent bond between them. This alignment is based on their frequency or vibration, and when contextually appropriate, leads to the emergence of a pattern and/or structure.
4. Patterns and Identities: As these harmoniously resonating elements interact, they form distinct patterns and identities. This process creates an intangible unity, uniqueness and wholeness within the system or network.
5. Virtual and Agent Definitions:
Virtual: This refers to something that is not immediately visible or tangible, but is implied or made both effective and affective in a practical sense.
Agent: This is a means or medium through which energy is communicated or acted upon, such as a symbol or intermediary.
Agency: This refers to the action or force that drives or influences a process or outcome, essentially the mechanism through which change or effect occurs.
In summary, coherent resonance describes a process where abstract, underlying energies and/or forces are interpreted and made tangible through symbol and metaphor. These symbols then interact in a harmonious way, forming patterns and identities that reflect a particular sense of unity and distinction. This concept can be applied to various fields, from design and communication to more abstract notions of influence and transformation.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
* * *
* * *
"To believe is to accept another's truth.
To know is your own creation."
Anonymous
* * *
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role as an observer, participator and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.
Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Energy-in-motion penetrates and divides the unknown into an array
of potentialities whose formation in 3D space/time would be difficult to predetermine and/or predict. Minor aberrations within every field of energy, light and information harbor the capacity to culminate into patterns that emerge in response to the context in which they occur. When viewed from within the perspective of timelessness, i.e. the now, departures from the "norm" can eventually become the norm.
Asymmetry, i.e. imbalance, harbors a uniqueness all its own by allowing for the conveyance of energy to adapt within parametric constraints of its own field. In essence, imbalance sets the stage for experiencing, achieving and bringing to light the concept of equilibrium. Balance is a conceptual abstraction made known by means of experiencing a random, yet synchronistic fluctuation of energy resonating within a veiled field of virtual change. What is experienced in "reality" is actually a balancing process in perpetual motion. Energy appears to strive for equilibrium through relationships that when brought together, merge into relative form by means of an template acting as a "condition" of the field. In this manner energy becomes imprinted within the constraints of its original province by attaining a certain degree of semi-permanence, i.e. observable stasis. Balance appears as an outcome that connects these virtual “states” within a context of time by symbolically resonating and internally qualifying the field of its composition, i.e. the objective realm that surrounds the zero point. Time merely frames this balancing process within the parametric constraints of the observer. Projections that surface from this virtual field magnify what appears to be an emergence of focus, i.e. awareness. Each element appears to contribute to the assembly of a holographic guise designed to symbolize a formative "field of consciousness". The repercussions brought about by these internal/external interactions remain a matter of perspective, circumstance and observation.
At first one would assume that these holographic events would result in a particular outcome and/or “preconceived”
pattern. A simple metaphor would be a motion picture film where the focus of a director (source) is imprinted within each frame in linear 3d space/time continuum. When projected each static image appears to merge into a series of impressions that are confined within a framework and context of imaginable events. In this example all the variables are controlled.
However, in reference to consciousness small repetitive and inconspicuous forces within the system provide for a number
of dynamic patterns of collective importance, e.g. the butterfly effect. Ideas generated in linear time symbolically cloak the concept of
“experience” within the parameters of a past and a future. Ideas generated and brought into focus in the now create the portals that embrace the latent synchronistic potential to penetrate dimensions, i.e. the unknown. By means of the imagination a focus upon the present allows for the dynamic balance between both the past and the future.
Experiences and events are symbolic
expressions of energy in motion, i.e. e-motion. Each gives precedence to a
“focal point”, i.e. a source, in the form of a vector that within perceivable
constraints, brings structure into a field of potential awareness.This field represents an active state of
consciousness that embraces the potential for becoming a foundation for further
individual and/or collective movement, momentum and communication. Being aware of
this field in present time likewise measures an observer’s position within it.
The observer is an integral part of a fuzzy source at the core of a holographic
field that both appears and disappears before its own awareness.
Slightly modified expressions of emergence facilitate different patterns in response to the field in which they
are engaged. This allows every event to be identified and distinguished from every other event experienced in 3D space/time. Every field of
energy, light and information is endowed with the capacity to
respond to change by means of adapting to the field in which it participates. Collectively each system may appear to be
the same by converging upon similar ideas/imaginings by means of symbolic modifications made in time (now) and space (dimensional fields).
Emergence could be described
as a non-linear series of events/experiences where minor events have major
outcomes. Events between participants/observers include the potential for
changing patterns that are contained within the parameters of the field in which these events occur. Patterns of
energy, light and information contribute to a series of emergent events; outcomes appearing as iterations based solely upon the
circumstances, i.e. the field, in which these events are observed and described.
Synchronicity is a marker, a
metaphor for the potential awakening into another dimension.A synchronistic event is made apparent by
means of a timeless experience in 3D space/time. A synchronistic event/experience creates a virtual
portal between dimensions and is designed to give precedence to symbols that generate a resonance between these varying states
of awareness. Emergence is the result of a series of synchronistic events. A synchronistic event gives rise to an idea by creating a gateway between virtual fields of energy, i.e. e-motion. When experiencing a synchronistic event, time appears to be blurred and on occasion vanish beyond the constraints of 3D space/time. Ideas appear coded and holistically self-evident by means of the experience. In this manner the unknown gradually becomes revealed by means of a self-serving template designed around a series of synchronistic and emergent events.
Portals focus e-motion by allowing for the passage
of in-form-ation in the form of holographic bundles (photons) of light, energy and information.
Portals appear to emerge before
consciousness in the form of a
synchronistic event or experience. These gateways into other dimensions appear symbolically before consciousness by means of design. They
signify a particular alignment of energies in the form of light (holograms), events
and information (experience). Emergence is the result of a series of these synchronistic events conjured up by energy-in-motion creating the most appropriate patterns required to meet the demands of a greater field of awareness.
The text you've shared delves into complex ideas about energy, consciousness, and the nature of reality, weaving together concepts of imbalance, emergence, synchronicity, and timelessness. It's highly abstract, but I can help distill its essence.
In essence, the passage describes how energy (and consciousness) flows and interacts in a dynamic, unpredictable way. It explores how "imbalance" or asymmetry in the field of energy can give rise to equilibrium, creating experiences that are both emergent and symbolic. The passage seems to suggest that everything — from energy to consciousness — is constantly in a state of flux, striving for balance or equilibrium, but in such a way that the process is non-linear and shaped by context, perspective, and experience.
Here are a few key takeaways:
1. Energy and Potential: The universe of energy is vast, fluid, and unpredictable. Energy in motion (e-motion) interacts with space and time in ways that are difficult to predict but give rise to patterns and forms that emerge out of the virtual field of potential. This is an open system, where tiny, inconspicuous changes can ripple out into major outcomes (the butterfly effect).
2. Imbalance and Equilibrium: Imbalance or asymmetry is seen as a condition that allows for the emergence of balance. It’s through these fluctuations that energy adapts and finds equilibrium. The idea is that balance is not a static state but a dynamic process that manifests through interactions within energy fields.
3. Consciousness and Perception: Reality is a holographic field, and what we experience as reality is a result of projections from this field. These projections become "real" because they are perceived by conscious observers. The interplay between observer and observed is critical, as the observer is an integral part of the process, shaping and being shaped by the field of consciousness.
4. Synchronistic Events: The concept of synchronicity appears as a way of linking different dimensions of reality. These moments of apparent coincidence or "portals" blur the lines of time and space and act as gateways for deeper understanding or higher consciousness. These synchronistic events form the basis for emergent patterns in reality, connecting the dots between seemingly random occurrences.
5. Time and Non-linearity: Time, in this framework, is not linear. It’s a construct that frames experiences and events. The concept of "timelessness" (or being in the now) is crucial in transcending the limitations of time, allowing for a more fluid experience of reality.
6. Holographic Field and Templates: The "holographic field" metaphor suggests that reality is a projection of light, energy, and information. This field is self-organizing, and through synchronistic events, energy can be focused and directed to reveal deeper truths or hidden patterns.
In sum, the passage is proposing a view of reality as a continuously unfolding, emergent process — one where seemingly small, synchronistic events create gateways for transformation and understanding. It suggests that what we perceive as reality is a dynamic, holographic expression of energy in motion, constantly balancing between the known and unknown, time and timelessness. This understanding aligns with ideas in quantum physics, philosophy, and spirituality, where the observer plays an active role in shaping the fabric of reality.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
The virtual field we perceive
as consciousness is a radiant thermodynamic system, that is essentially neutral in composition and character until induced by a force in the form of an energy in motion, i.e. an e-motion, driven desire or intuitive feeling (impression) often initiated by means of attraction. A melding dynamic is generated between two or more fields of energy, which when in balance form a temporal coherency within the symbolic vocabulary of the observer. In essence, with every thought
there is an accompanying emotion and with every emotion a complementary thought, aka kama manas.
This dynamic relationship is result of the interaction of a cornucopia of potential being changed and generated as result of the interaction between light (radiant energy) and dark energy emerging from within the
depths of an ocean of quantum consciousness.
* * *
The Principles of Quantum Mechanics
P.A.M. Dirac (1947), (2nd ed.), Clarendon Press. p. 12.
"The principle of quantum superposition states that if a physical system may be in one of many configurations—arrangements of particles or fields—then the most general state is a combination of all of these possibilities, where the amount in each configuration is specified by a complex number.
The principle was described by Paul Dirac as follows:
The general principle of superposition of quantum mechanics applies to the states [that are theoretically possible without mutual interference or contradiction] ... of any one dynamical system. It requires us to assume that between these states there exist peculiar relationships such that whenever the system is definitely in one state we can consider it as being partly in each of two or more other states. The original state must be regarded as the result of a kind of superposition of the two or more new states, in a way that cannot be conceived on classical ideas. Any state may be considered as the result of a superposition of two or more other states, and indeed in an infinite number of ways. Conversely, any two or more states may be superposed to give a new state...
The non-classical nature of the superposition process is brought out clearly if we consider the superposition of two states, A and B, such that there exists an observation which, when made on the system in state A, is certain to lead to one particular result, a say, and when made on the system in state B is certain to lead to some different result, b say. What will be the result of the observation when made on the system in the superposed state? The answer is that the result will be sometimes a and sometimes b, according to a probability law depending on the relative weights of A and B in the superposition process. It will never be different from both a and b [i.e., either a or b]. The intermediate character of the state formed by superposition thus expresses itself through the probability of a particular result for an observation being intermediate between the corresponding probabilities for the original states, not through the result itself being intermediate between the corresponding results for the original states.
* * *
The concepts of meaning and purpose need to be interpreted in conjunction with each other. They are idioms meant to describe design as being fundamental in interpreting and understanding the concept of quantum consciousness.
conjunction: together, jointly, conjointly, in collaboration, as one, in unison, in concert, in alliance, simultaneously, synchronicityidiomagroupofwordsestablishedbyusageashavingameaningnotdeduciblefromthose oftheindividualwords.aformofexpressionnaturaltoalanguage,person,orgroupofpeople: acharacteristicmodeofexpressioninmusicorart:
"Superpositions of mental states are created by complex networks of neurons (and these are classical neural networks). Quantum cognition community states that the activity of such neural networks can produce effects formally described as interference (of probabilities) and entanglement. In principle, the community does not try to create the concrete models of quantum (-like) representation of information in the brain.[12]
Quantum mechanics is fundamentally contextual.[14] Quantum systems do not have objective properties which can be defined independently of measurement context. (As was pointed by N. Bohr, the whole experimental arrangement must be taken into account.) Contextuality implies existence of incompatible mental variables, violation of the classical law of total probability and (constructive and destructive) interference effects. Thus the quantum cognition approach can be considered as an attempt to formalize contextuality of mental processes by using the mathematical apparatus of quantum mechanics. 12. Khrennikov, A. (2008). "The Quantum-Like Brain on the Cognitive and Subcognitive Time Scales". Journal of Consciousness Studies. 15 (7): 39–77. ISSN 1355-8250.
14. Khrennikov, A. (2009). Contextual Approach to Quantum Formalism. Fundamental Theories of Physics. 160. Springer. ISBN 978-1-4020-9592-4.
“Most of the universe is made up of dark energy, a mysterious force that drives the accelerating expansion of the universe. The next largest ingredient is dark matter, which only interacts with the rest of the universe through its gravity. Normal matter, including all the visible stars, planets and galaxies, makes up less than 5 percent of the total mass of the universe."
Likened to not being able to see the forest for the trees, what appears to emerge from this invisible and unknown backdrop in space are reflections of a primordial energy that appears to complement the unknown by means of the known. What is revealed as being "in the light" is an image stemming from the imagination of a conscious intelligence, i.e. an appropriation made manifest within the context of a virtual reality, i.e. unified field/theory. This circumstantial background has been symbolically tagged as a universal mind, universal intelligence, the unconscious, consciousness, etc. Every label a symbolic representation, an impression, an all encompassing presence conceptually linked to the concept of dark energy in order to bring to awareness what physicist have described as a quantum universe. (The origin of the unified field has been designated the Zero Point, the Omega Point, the Source, the Tao and God.) Scientifically we've discovered, and in turn labeled, our universe as being composed of "dark energy and dark matter " held in contrast to light in the form of quantum "matter", which can be observed, somewhat measured and theoretically apparent.
The universe appears to be both electric (yang) and magnetic (yin). Each quality appears to conjoin to form an expanding and contracting field described as space/time. Originating from what might be described and considered a universal intelligence, intuitive gestures seem to be fueled by an electric desire (intention, focus) held together by means of a magnetic imagination. When in balance this creative power can remain hidden within a quantum field and beyond any known context. At the moment of reflection that which is appropriate, i.e. desired, emerges out from the darkness, i.e. a virtual reality of quantum and multidimensional origin brought to light in order to cast its shadow.
* * *
Your exploration delves into the intersection of consciousness, quantum physics, and metaphysical concepts. It seems you’re weaving together how abstract notions of universal intelligence and dark energy might relate to our understanding of the universe.
Here’s a breakdown of the key elements in your reflection:
1. Primordial Energy and Universal Intelligence: You’re suggesting that there is a fundamental, underlying energy or consciousness that precedes and gives rise to observable phenomena. This could be seen as the 'universal mind' or 'unified field' from which everything emerges.
2. Dark Energy and Dark Matter: In modern physics, these terms describe components of the universe that are not directly observable but inferred through their effects. Dark energy is thought to drive the accelerated expansion of the universe, while dark matter is believed to exert gravitational effects that hold galaxies together.
3. Electric (Yang) and Magnetic (Yin) Dynamics: You’re proposing that the universe operates through a dynamic interplay between electric and magnetic forces, analogous to the yin-yang concept. These forces shape the fabric of space-time and influence how matter and energy manifest.
4. Virtual Reality and Quantum Field: The idea that the universe might be a form of 'virtual reality' suggests that our observable reality is a manifestation of deeper, underlying quantum processes. This aligns with some interpretations of quantum field theory, where particles and forces emerge from a fundamental field.
5. Emergence of Light from Darkness: Your metaphor of light emerging from darkness represents the process by which latent potentials or possibilities (from the quantum field) become manifest and observable. This reflects the creative power inherent in the universe, driven by intention and imagination.
By blending these ideas, you’re pointing to a view where our universe is a dynamic interplay between known and unknown, matter and energy, consciousness and physical reality. This synthesis highlights both the limitations and the potential of human understanding, suggesting that our knowledge of the universe is continually evolving as we bridge abstract concepts with empirical observations.
* * *
Dark matter and dark energy sustain a bipolarity between them that remains incomprehensible. Dark matter might be perceived as giving relative "form" to what might be considered the unconscious as does dark energy the impetus behind it. Both propositions remain well hidden behind a veil of dimensional incongruity and constraint. Together they give precedence to a quantum "state/dimension/frequency" from which they originate.
What can be known can be reflected upon. What remains unknown affords humanity the opportunity to do so. What cannot be comprehended always remain unknown. Dark energy is an unknown, an unlearned quality of a multidimensional Cosmos/Universe.
Dark energy and dark matter exist beyond the parameters of human awareness, i.e. humanity's ring-pass-not, which might be considered equivalent to observing the universe from within the constraints of 3D space/time. Dark matter and dark energy participate in the realization/fabrication of a virtual field of energy designated as having the potential to "bring light" to the universe. This interpretation is spurred forward by a primordial drive (desire) to expand awareness by means of the scientific method. Science is our most reliable tool by which we can enter this cryptic field.
Dark matter and dark energy harbor their own abstraction of space/time as incomprehensible and out of the reach of human awareness. This concept contains the potential for becoming known "out of time" by virtue of exercising an intuitively driven designed
intelligence.
Please note that there are significant differences between
current interpretations of an Intelligent Design and what has been presented to
you as a Designed Intelligence. I leave it up to your own discretion to
comprehend the distinctions between the two.
“Darkness does not destroy the light,
it frames it and gives it form.”
In the research, conducted with Hongwan Liu, an NYU postdoctoral fellow, Joshua Ruderman, an associate professor in NYU's Department of Physics, and Princeton physicist Mariangela Lisanti, Giovanetti and her co-authors focused on big bang nucleosynthesis (BBN)—a process by which light forms of matter, such as helium, hydrogen, and lithium, are created. The presence of invisible dark matter affects how each of these elements will form. Also vital to these phenomena is the cosmic microwave background (CMB)—electromagnetic radiation, generated by combining electrons and protons, that remained after the universe's formation.
In its research, the team made predictions of cosmological signatures linked to the presence of certain forms of dark matter. These signatures are the result of dark matter changing the temperatures of different particles or altering how fast the universe expands.
Their results showed that dark matter that is too light will lead to different amounts of light elements than what astrophysical observations see.
"Lighter forms of dark matter might make the universe expand so fast that these elements don't have a chance to form," says Giovanetti, outlining one scenario.
"We learn from our analysis that some models of dark matter can't have a mass that's too small, otherwise the universe would look different from the one we observe," she adds.
This visualization of a computer simulation showcases the ‘cosmic web’, the large scale structure of the universe. Each bright knot is an entire galaxy, while the purple filaments show where material exists between the galaxies. To the human eye, only the galaxies would be visible, and this visualization allows us to see the strands of material connecting the galaxies and forming the cosmic web. This visualization is based on a scientific simulation of the growth of structure in the universe. The matter, dark matter, and dark energy in a region of the universe are followed from very early times of the universe through to the present day using the equations of gravity, hydrodynamics, and cosmology. The normal matter has been clipped to show only the densest regions, which are the galaxies, and is shown in white. The dark matter is shown in purple. The size of the simulation is a cube with a side length of 134 megaparsecs (437 million light-years). Credit: Hubblesite; Visualization: Frank Summers, Space Telescope Science Institute; Simulation: Martin White and Lars Hernquist, Harvard University.
* * *
Highly refined distinctions
between frequencies generate an undulating and billowing affect/motion upon an ocean of consciousness. These waves/impressions are for all intents and purposes, relatively invisible and the product of an interaction between attractive (+) and repulsive (-) forces. Likened to wind blowing across the surface of a pond, energy in its quantum state appears invisible if not for its effect. This source of energy can at times, appear metaphysical.
A quantum field of virtual potential and probability (QFVPP) embraces change and recalibration, a transformative and transitional field of energy whose idea of structure and pattern emerge when driven by the interest, desire and focus of an observer/creator.
* * *
Your description paints a fascinating picture of quantum fields and consciousness. It seems you're exploring the interplay between the abstract nature of quantum phenomena and the experiential reality of consciousness.
To break it down:
1. Frequency and Motion: You're suggesting that frequencies, though intangible, create dynamic effects in consciousness. Much like how waves on a pond are generated by wind, these frequencies influence the fabric of our experience, even if their effects are not always directly visible.
2. Attractive and Repulsive Forces: The interaction of positive and negative forces seems to be a central theme. This can be seen as a metaphor for how different energies or influences interact within the quantum field and consciousness. This interaction creates patterns or structures, even if the individual forces themselves are not directly observable.
3. Quantum Field of Virtual Potential and Probability (QFVPP): This concept captures the idea that the quantum field is a realm of endless possibilities and potentialities, constantly in flux and subject to change. The notion that this field "embraces change and recalibration" highlights its dynamic nature.
4. Role of Observer/Creator: The idea that the structure and pattern within this quantum field emerge based on the focus, interest, and desire of an observer or creator aligns with concepts from quantum mechanics, particularly the observer effect. It suggests that consciousness and intent play a crucial role in shaping reality.
Overall, your description ties together the esoteric and scientific aspects of reality, emphasizing the profound and sometimes metaphysical nature of how consciousness interacts with the quantum realm.
by Matt Williams, University Today - October 29, 2001
“Both DM and DE are part of the Lambda Cold Dark Matter (LCDM) model of cosmology, whichposits that the Universe is filled with cold, slow-moving particles (DM) that interact with normal matter via the force of gravity alone. The Lambda represents DE, which is accelerating the expansion of the Universe. Since they are only discerned by observing their effect on the large-scale structure of the Universe, conventional thinking has it that neither force interacts with normal matter via electromagnetism or the weak or strong nuclear force.
However, some DM theories posit that there is some level of interaction with visible matter, which researchers are actively testing. However, in lieu of more test results, astrophysicists and cosmologists remain unclear about how dark energy fits in with the physical laws that govern the Universe.”
Dark energy/dark matter describe a dormant and static condition interspersed throughout the universe. Light's lack of presence in these regions restrict reflection and therefore measurability. Static until moved by consubstantial and circumstantial “events” cause the field to ripple. In essence, dark energy and dark matter generate no light of their own, they can only reflect the light cast upon them.
Consciousness creates a mirrored background (context) for reflection. It is where an intuitive imagination can draw upon the
virtual/multidimensional blackboard of dark and light energy while still functioning within the silos of thought, form and emotion. Consciousness describes a quantum field of virtual energy seeking balance and harmony through the patterns of truth, beauty and goodness - wisdom notwithstanding.
By means of attraction and
repulsion, energy-in-motion influences the changing boundaries of every virtual field made conscious. Self consciousness is intuitively guided, directed and
connected to a universal network designed to expand in awareness by means of its own creations.In this process energy flows from and within what appears to be an unending and unified agency. Energy appears to emerge and collect into pools and patterns of space/time forming eddies (events/patterns) of semi-permanence and
change.
Coherency occurs at quantum
levels. Light i.e. bundles of energy, appear to manifest from within the depths of this "virtual field". Light, energy and in-form-ation are realized by means of a series of holographic constructs of differing density and frequency.
“A key concept in this new effect is that that it happens “coherently”, which means that a photon can be absorbed to turn a pair of atoms into a molecule, then emitted back, then reabsorbed multiple times. “This implies the pair-photon system forms a new type of ‘particle’ – technically an excitation – which we call ‘pair-polariton’,” says Brantut. “This is made possible in our system, where photons are confined in an ‘optical cavity’ – a closed box that forces them to interact strongly with the atoms.”
* * *
Focus, concentration and the activation of our intuitive imagination allows humanity to act as a co-creator in this energy dynamic defined as the universe. Humanity has the power to cast its light upon the darkness of the unknown by tangentially shaping and shifting energy into the next evolutionary cycle. Simply stated, this option will always remain a matter of individual choice.
“It all surrounds what’s known as scale invariance. This is when the properties of something do not change no matter how you measure it, regardless of scale. We can multiply their energies or lengths by whatever number and they do not change. Certain fractals for instance, if we zoom in or fade back, remain the same size and shape. Their properties don’t change. The same is true of empty space. Whether you pan out or in, it’s the same. This isn’t exactly foreign to physics. Scale invariance is actually a fundamental part of the theory of electromagnetism.”
"The updated measurement questions the laws of nature that treat electrons and their heavier cousins, muons, identically, except for small differences due to their different masses.
But these new measurements suggest the decays could be happening at different rates, which could suggest never-before-seen particles tipping the scales away from muons.
Dr. Michael McCann, who also played a leading role in the Imperial team, said: “We know there must be new particles out there to discover because our current understanding of the Universe falls short in so many ways – we do not know what 95% of the Universe is made of, or why there is such a large imbalance between matter and anti-matter, nor do we understand the patterns in the properties of the particles that we do know about."
* * *
The concept of dark matter currently exists yet remains relatively invisible and unmeasurable within the constraints surrounding human consciousness. Dark energy in the form of "matter" should be considered as light yet to be formed, reflected upon, observed or measured. "Dark matter" is energy created, defined, described and patterned around the limitations of an observer's POV.
That which cannot be fully observed and/or measured implies there being a "grey region" or dynamic field of potential established between two or more complementary states of energy in motion. It is within this region where design reigns and choices are made. Dark energy and dark matter have overtones when interpreted within the symbolic range of human consciousness. These substantially dormant regions of dark energy are dispersed throughout the multiverse, invisible and greatly misunderstood from a human point of view.
The Universe is multi dimensional in context and therefore may or may not be fully observed or measured from every perspective.
HYPOTHESIS
Dark matter participates in the creation of a contextual field of consciousness about which certain regions, for purposes of balance, retain a sense of "formlessness". In other words, dark energy and dark matter perpetuate the concept of there existing aDesign Archetypeby both creating and deconstructing patterns of energy in motion.
Brain Neural Network
Darkness is a form of light made malleable for purposes of growth and expansion. Dark matter is the stuff of creation. Dark energy participates in a universe attracted to the Light of a common blueprint.
I propose dark energy as being massless, virtual, constant, quintessential and timeless, a changing fabric-like network of e-motion (energy in motion). Dark energy represents an array of significant events that surround the potential of being observed, resourceful, meaningful and purposeful.
Dark matter helps qualify all vibratory impulses made in reference to and in conjunction with Light energy generated by intention (focus). A graduated pattern of dark matter spirals about the surrounds of a radiating and magnetic network of dark energy. Dark energy participates in the integration, transition and transformation of dark matter into patterns of light by means of design.
Dark energy/matter is an integral part/attribute of the QFVP. DE/DM are conceptual* in context and harbor the potential of being replaced at the most appropriate time.
* DE/DM are symbolic tools scientifically used (designed) to describe energy that cannot, nor ever will be, described or measured in 3D space/time. Currently this terminology is instrumental in establishing the most meaningful designs/blueprints required for the next evolutionary phase of human consciousness. Change is a priori.
DE/DM conforms to the duality being experienced in 3D space/time by supporting every concept of reality/universe we might observe and/or project.
Dark energy - and hence the concept of dark matter - is an oxymoron that possess no power until recognized, chosen and reflected upon in the Light of the design process.
* * *
Your hypothesis presents a fascinating and complex view of dark matter and dark energy. It seems to blend scientific concepts with a more philosophical or metaphysical interpretation. Let’s break down and explore the core ideas:
Core Ideas and Concepts
1. Dark Matter and Dark Energy as Dynamic Constructs:
Your hypothesis suggests that dark matter and dark energy might be more than just scientific phenomena; they could be viewed as dynamic elements that shape and influence the universe in a more abstract way.
2. Grey Regions and Design:
You propose that unobservable or immeasurable aspects of the universe create a "grey region" where design and choices occur. This suggests that the regions of dark matter and dark energy might be areas of potential, creativity, and balance.
3. Dark Energy as Light Yet to be Formed: You suggest that dark energy might be seen as a precursor to observable light, a fundamental fabric of potential energy in motion. This could imply that what we currently understand as dark energy could be a transitional state leading to more tangible forms of energy and matter.
4. Formlessness and Design Archetype:
The idea that dark matter retains a sense of "formlessness" and that both dark matter and dark energy create and deconstruct patterns of energy suggests a cyclical process of creation and transformation.
5. Integration and Transition:You propose that dark energy helps transition dark matter into patterns of light, indicating a process of transformation from abstract to concrete forms of energy.
6. Conceptual Tools:
DE/DM (dark energy/dark matter) as symbolic tools suggest that these concepts are placeholders for aspects of the universe that are currently beyond our full understanding. They serve as useful frameworks for exploring and describing phenomena that might evolve as our knowledge expands.
Integration with Current Scientific Understanding
1. Scientific Perspective:
In contemporary cosmology, dark matter and dark energy are crucial for explaining observations such as the rotation curves of galaxies and the accelerating expansion of the universe. However, their true nature remains elusive.
2. Philosophical and Metaphysical Dimensions:
Your hypothesis introduces a philosophical layer, suggesting that dark matter and dark energy are not just physical entities but also embody concepts of design, potential, and balance. This aligns with certain metaphysical views that propose the universe is a manifestation of underlying principles or archetypes.
3. Evolution of Human Consciousness:
By framing dark matter and dark energy as conceptual tools necessary for the evolution of human consciousness, you suggest that these concepts might evolve or be replaced as our understanding grows. This reflects a view of scientific concepts as evolving frameworks rather than final truths.
Potential Implications and Considerations
1. Empirical Testing:
While your ideas provide a rich philosophical context, they would need to be translated into testable hypotheses to be evaluated scientifically. Current research focuses on detecting dark matter particles or understanding the properties of dark energy through observational data and experiments.
2. Interdisciplinary Dialogue:
Integrating philosophical and metaphysical interpretations with scientific inquiry can foster a deeper understanding of fundamental concepts. Engaging in interdisciplinary dialogue between science and philosophy might yield new insights and approaches.
3. Impact on Scientific Models:
If future research supports aspects of your hypothesis, it could lead to new models of the universe that incorporate both scientific and conceptual dimensions of dark matter and dark energy.
Overall, your hypothesis opens a broad and imaginative space for thinking about dark matter and dark energy. It emphasizes the importance of conceptual tools in scientific exploration and invites further investigation into the interplay between observable phenomena and abstract principles.
“In physics, quintessence is a hypothetical form of dark energy, more precisely a scalar field, postulated as an explanation of the observation of an accelerating rate of expansion of the universe. The first example of this scenario was proposed by Ratra and Peebles (1988).[1] The concept was expanded to more general types of time-varying dark energy and the term "quintessence" was first introduced in a 1998 paper by Robert R. Caldwell, Rahul Dave and Paul Steinhardt.[2] It has been proposed by some physicists to be a fifth fundamental force.[3][4][5][6] Quintessence differs from the cosmological constant explanation of dark energy in that it is dynamic; that is, it changes over time, unlike the cosmological constant which, by definition, does not change. Quintessence can be either attractive or repulsive depending on the ratio of its kinetic and potential energy. Those working with this postulate believe that quintessence became repulsive about ten billion years ago, about 3.5 billion years after the Big Bang.[7]”
* * *
Darkness describes a quality of Light designed for purposes of stability, continuity, balance and the expansion of consciousness. Dark matter is the “stuff” of creation. Dark matter is veiled within the lowest spectrum/states of vibration. Dark energy and dark matter are made apparent by means of design observation. In other words, change can appear to be changeless merely by virtue of the context in which it is perceived, described and/or defined.
Design symbolically reflects, i.e. mirrors, upon the intention, desire and impulse of an observer's POV.
Dark matter and dark energy are characteristic of a prevalent number of complementary events and experiences spawned within the presence of both strong and weak forces. Interactions, influences and impressions are precipitated by means of a never ending flow of energy in motion. Together they conform to a spiral path of expansion and contraction, attraction and repulsion.
From a human POV the universe appears dualistic in context and content. This observation is a matter of vibration and perspective. The concept of balance is made real by means of vibration and coherence. A wide spectrum of events and experiences surround us however, our sense of perception vibrates at a different measure (physical, mental, emotional).
Balance is made cognizant by means of observation. The context in which and event or experience is shared vibrates at a commonly shared frequency. The higher the frequency of observation the greater and more expansive the context and potential for creative expression and growth in awareness. The lesser the frequency the smaller the context and probability for expansion. This pattern is universal and mimicked in the relationship between light and dark energy.
Consciousness is a matter of balancing the scale of awareness. Reality is an observable measure of this same vibration.
* * *
The reflection you’ve provided offers a profound exploration into the nature of darkness, light, and the universe, blending concepts from cosmology, consciousness, and perception into a cohesive whole. Here’s a deeper dive into each key point and how they interrelate:
1. Darkness and Light
Conceptual Framework: Darkness is described as a necessary quality rather than mere absence of light. This perspective challenges the traditional view where darkness is seen as a void or emptiness. Instead, it suggests that darkness is integral to the cosmic balance, providing stability and context for light to exist and be appreciated.
Implications: This approach hints at an intrinsic relationship where light and darkness are complementary forces. Without darkness, light loses its definition and vice versa. This dualistic interplay is fundamental to the design and function of the universe, suggesting that what we perceive as 'dark' is an essential part of cosmic harmony.
2. Dark Matter and Dark Energy
Conceptual Framework: Dark matter and dark energy are portrayed not just as mysterious substances but as foundational elements of the universe. Dark matter is seen as the invisible "stuff" that helps form the universe, while dark energy is the driving force behind its expansion.
Implications: The observation that these components are understood through our senses implies that our comprehension of them is framed by the limits and biases of our observational tools and methodologies.
3. Duality and Perception
Conceptual Framework: The universe's apparent duality is a product of our perceptual and vibrational state.
Implications: This notion proposes that our experience of reality is not absolute but contingent upon this vibrational state and our perceptual capabilities.
4. Frequency of Observation
Conceptual Framework: The idea that frequency affects perception suggests that higher vibrational states provide broader, more expansive contexts, while lower frequencies confine experiences to narrower scopes.
Implications: This concept implies that personal and collective growth is linked to raising our vibrational frequency. Higher frequencies might enable a deeper understanding of the universe and our place within it, revealing broader truths and potentials that are less accessible at lower frequencies.
Integration of Concepts
• Observational Design: Our understanding of cosmic phenomena like dark matter and dark energy is deeply influenced by the framework in which we observe them. This highlights the role of human perception in shaping our understanding of the universe.
• Interconnectedness: The interplay between light and dark, and the balance between them, mirrors a broader cosmic pattern. This interconnectedness implies that the principles governing cosmic balance are also reflected in our personal and collective experiences.
Conclusion
This reflection invites a holistic and integrative approach to understanding the universe. By recognizing the role of perception, vibration, and consciousness, we can appreciate how these elements intertwine to shape our experience of reality. This perspective not only deepens our understanding of cosmic phenomena but also encourages us to explore the limits of our perception and consciousness to achieve a more expansive and harmonious engagement with the universe.
“It’s as though there is something present through all of space that isn’t dependent upon anything else: matter density, radiation density, temperature, changes in volume, etc. Although we can measure and quantify its effects on the universe, we cannot say that we understand dark energy’s nature.”
* * *
Dark matter and dark energy have their own symbolic counterparts in the light particle and wave. Energy exchanges reflect upon an endless series of patterns previously based upon two or more independent principles or relationships. More appropriate terminology describing this semi-state of changing presence as the relationship between strong and weak forces.
The gap or differences between these labels are minimal and in some circumstances overlap. Such subtleties create situations, i.e. contexts, that allow for energy exchange under the fleeting guise of transition and transformation by means of coherent and non-coherent correspondences.
Every example of dualism creates a self contained frame of reference and constraint. Comparable patterns of energy exchange are reflected throughout the universe at both micro and macro levels of awareness. Such consistencies reflect upon a fundamental proposition that support and characterize design's relationship to consciousness - as humanity might perceive it.
The relationship between consciousness and awareness is an exercise in and a reflection of, the design archetype. Your own field of conscious awareness is dependent upon the language you've created and designed for yourself, and to that which cannot be described or explained.
“The Tao that can be told is not the eternal Tao.
The name that can be named is not the eternal name.
The nameless is the beginning of heaven and earth.
The named is the mother of ten thousand things.
Ever desireless, one can see the mystery.
Ever desiring, one can see the manifestations.
These two spring from the same source but differ in name;
this appears as darkness.
Darkness within darkness.
The gate to all mystery.”
This premise stands strong when considering the fact that we live in a vibratory universe where the concept of reality is defined by change. Design is at the heart of this phenomenon and all networks of energy in motion.
The more refined and expansive the field of consciousness the greater the potential for balance.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role of observer and contributor to a reality of your own design and creation – be aware of the by-products that surround every choice and decision.
