Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
tran·si·tion noun 1 the process or a period of changing from one state or condition to another: students in transition from one program to another | a period of transition | a transition to multiparty democracy. 3 Music a momentary modulation from one key to another. 4 Physics a change of an atom, nucleus, electron, etc. from one quantum state to another, with emission or absorption of radiation.
trans·for·ma·tion noun a thorough or dramatic change in form or appearance: its landscape has undergone a radical transformation. • a metamorphosis during the life cycle of an animal. • Physics the induced or spontaneous change of one element into another by a nuclear process. • Mathematics & Logic a process by which one figure, expression, or function is converted into another that is equivalent in some important respect but is differently expressed or represented. • Linguistics a process by which an element in the underlying deep structure of a sentence is converted to an element in the surface structure. • Biology the genetic alteration of a cell by introduction of extraneous DNA, especially by a plasmid. • Biology the heritable modification of a cell from its normal state to a malignant state.
trans·mu·ta·tion noun the action of changing or the state of being changed into another form: the transmutation of the political economy of the postwar years was complete. • Physics the changing of one element into another by radioactive decay, nuclear bombardment, or similar processes. • Biology, mainly historical the conversion or transformation of one species into another. • the supposed alchemical process of changing base metals into gold.
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Progress and prospects in magnetic topological materials By Max Planck Society
A new review paper on magnetic topological materials introduces a theoretical concept that interweaves magnetism and topology. It identifies and surveys potential new magnetic topological materials and suggests possible future applications in spin and quantum electronics and as materials for efficient energy conversion.
Claudia Felser, MPI CPfS is most excited about their potential applications in chemistry. She says, "If we can design a magnetic catalyst for water splitting we might be able to change the catalytic properties with an external field, which would allow us to switch on and off catalysis."
The field of magnetic topological materials clearly has and will have impact in both the scientific and technological worlds. https://phys.org/news/2022-03-prospects-magnetic topological-materials.html
CONCEPTUALLY IMAGINEERED
By The University of Hong Kong
While superposition allows a physical system—like a particle—to be in multiple states simultaneously, entanglement links particles, allowing them to form an inseparable state, even when they are separated by a large distance.
"It's theoretical proof that the two properties—superposition and entanglement—can be interchanged quantitatively," said Wenchao Ge. "Our work discovers an important quantitative relation between these two fundamental quantum effects for a large class of quantum states."
Predicting the Composition of Dark Matter
The New York University
In the research, conducted with Hongwan Liu, an NYU postdoctoral fellow, Joshua Ruderman, an associate professor in NYU's Department of Physics, and Princeton physicist Mariangela Lisanti, Giovanetti and her co-authors focused on big bang nucleosynthesis (BBN)—a process by which light forms of matter, such as helium, hydrogen, and lithium, are created. The presence of invisible dark matter affects how each of these elements will form. Also vital to these phenomena is the cosmic microwave background (CMB)—electromagnetic radiation, generated by combining electrons and protons, that remained after the universe's formation.
In its research, the team made predictions of cosmological signatures linked to the presence of certain forms of dark matter. These signatures are the result of dark matter changing the temperatures of different particles or altering how fast the universe expands.
Their results showed that dark matter that is too light will lead to different amounts of light elements than what astrophysical observations see.
"Lighter forms of dark matter might make the universe expand so fast that these elements don't have a chance to form," says Giovanetti, outlining one scenario. "We learn from our analysis that some models of dark matter can't have a mass that's too small, otherwise the universe would look different from the one we observe," she adds.
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What which cannot be reflected upon appears dark, unknown and unobservable. Frequencies vibrating beyond recognition, i.e. out of resonance, appear darkened and invisible to the senses. Dark energy and dark matter are sustained and made conscious through experience. Dark energy and dark matter are meaningful, purposeful, conceptual and delicately entwined in the Light of consciousness.
Dark matter maintains little light of its own, unable to reflect upon itself it creates the context, i.e. the field/backdrop, for observation and emergence. Dark matter follows its own currents and rides its own waves of vibration pursuing greater material awareness. Dark matter describes the stuff yet to be substantiated, materialized, patterned and designed by means of observation.
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Cosmic Microwave Background Radiation (CMBR)
"In cosmology, cosmic microwave background (CMB) radiation (also CMBR, CBR, MBR, and relic radiation) is a form of electromagnetic radiation filling the universe. With a traditional optical telescope, the space between stars and galaxies (the background) is pitch black. But with a radio telescope, there is a faint background glow, almost exactly the same in all directions, that is not associated with any star, galaxy, or other object. This glow is strongest in the microwave region of the radio spectrum, hence the name cosmic microwave background radiation. The CMB's discovery in 1964 by radio astronomers Arno Penzias and Robert Wilson was the culmination of work initiated in the 1940s and earned them the 1978 Nobel Prize.
The CMBR is well explained by the Big Bang model – when the universe was young, before the formation of stars and planets, it was smaller, much hotter, and filled with a uniform glow from its white-hot fog of hydrogen plasma. According to the model, the radiation from the sky we measure today comes from a spherical surface called the surface of last scattering. As the universe expanded, both the plasma and the radiation filling it grew cooler. When the universe cooled enough, stable atoms could form. These atoms could no longer absorb the thermal radiation, and the universe became transparent instead of being an opaque fog. The photons that were around at that time have been propagating ever since, though growing fainter and less energetic, since the exact same photons fill a larger and larger universe. This is the source for the term relic radiation, another name for the CMBR.
Precise measurements of cosmic background radiation are critical to cosmology, since any proposed model of the universe must explain this radiation. The CMBR has a thermal black body spectrum at a temperature of 2.725 K, thus the spectrum peaks in the microwave range frequency of 160.2 GHz, corresponding to a 1.9 mm wavelength. The glow is almost but not quite uniform in all directions and shows a very specific pattern equal to that expected if the inherent randomness of a red-hot gas is blown up to the size of the universe. In particular, the spatial power spectrum (how much difference is observed versus how far apart the regions are on the sky) contains small anisotropies, or irregularities, which vary with the size of the region examined. They have been measured in detail, and match what would be expected if small thermal fluctuations had expanded to the size of the observable space we can detect today. This is still a very active field of study, with scientists seeking both better data (for example, the Planck spacecraft ) and better interpretations of the initial conditions of expansion.
Although many different processes might produce the general form of a black body spectrum, no model other than the Big Bang has yet explained the fluctuations. As a result, most cosmologists consider the Big Bang model of the universe to be the best explanation for the CMBR. This text uses material from Wikipedia, licensed under CC BY-SA
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AI helps distinguish dark matter from cosmic noise by Ecole Polytechnique Federale de Lausanne. Sept 6, 2024
The Quantum Field of a Virtually Designed Consciousness
* Change creates the circumstances that ignite further creativity. Design begins anew in an exponential process towards reconfiguration and expansion. Consciousness describes a universal context, Design represents Consciousness in all its potential and probability.
* Turbulence generates the context necessary for change and creativity.
* String theory helps describe energy in motion. Turbulence spawns its entanglement.
* Design describes the transmutation of one form of energy in motion (EIM) into another during periods of transition, transformation, modulation and/or modification.
trans·mu·ta·tion the action of changing or the state of being changed into another form
* Design facilitates the creative transition and transformation of energy in motion from one quantum state/form of entanglement to another (strong emergence). Some attempt to describe this phenomenon in religious overtones, others as another step in a design process.
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* Events and experiences are symbolic in nature and expand exponentially in the form of awareness.
* Design appears as a network of energy in motion created and patterned to fit and contribute to a reality within our own imagination.
* Time becomes most modifiable, adjustable and less categorical when observed from within a timeless context.
* Time can be linear, conceptual and always magnetic in character.
* Time and space create a dualistic framework required for observation and participation in the creative process. By means of "streaming" stratifications merge and/or are collectively attracted towards certain vibratory points and patterns - seen and unseen.
* Patterns of energy in motion are in constant flux, always adapting to situations and/or circumstances (context) observed within the dualistic framework of 3D spacetime.
* Emergence, attraction and entanglement together give rise to the stratification of energy in motion and categorically defined as a dimension.
di·men·sion. a measurable extent of some kind, such as length, breadth, depth, or height* Creativity stems from a multidimensional awareness made conscious by design.
* Given precedence within constraint, the concept of 3D spacetime has become a context where the "idea of form" is best observed.
* In essence, every form is vibrating and therefore demands constant re-cognition. Design encourages change by employing the use of signs, symbols and metaphor as vital in defining Reality.
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This passage explores intricate ideas around design, consciousness, and the nature of reality through the lens of energy, patterns, and observation. It weaves together concepts from physics, philosophy, and creative theory. Here’s a breakdown of some key ideas:
1. Magnetic Fields and Dimensions: When a line becomes a point it suggests one's awareness being in a state of transition from concept to idea. This rapid shift introduces a new dimension or field, i.e. opportunity, not bound by the original framework.
2. Particle and Entanglement: A particle is an energy in motion observed in a transient state of entanglement. This reflects upon a quantum view of reality where particles exist in a state of potentiality until observed.
3. Design and Creativity: Design is seen as the process that generates meaning and purpose by means of channeling the act of creation. Design is the facilitator of unique patterns and geometries that reflect upon the dynamic interplay between concept and idea.
4. Self-Design and Purpose: One’s purpose is to deeply engage with what a person love's, by suggesting that true meaning emerges from passion and self-expression.
5. Presence and Consciousness: Understanding one’s Presence is vital. This implies that deep awareness is truly beyond mere belief.
6. Symbolism in Events and Experiences: Events and experiences are symbolic and expand our awareness by means of a designed approach. This reflects upon the idea that our interpretation of reality is simply shaped by symbols with deep meaning and purpose.
7. Meaning and Purpose in Design: The equation "Meaning + Purpose = Design" suggests that design is congruent with both meaning and purpose.
8. Synchronization and Resonance: Lack of synchronization creates discord between states of energy, implying the obvious that harmony is crucial for coherence and balance.
9. Patterned Networks: Design become apparent as a patterned network of energy shaped by the intuition, imagination and a creative impulse. This highlights the role of human creativity in shaping reality.
10. Time and Space: Time and space are frameworks for observing and categorizing motion and movement. They likewise influence how we perceive and interact with energy, light and information..
11. Flux and Adaptation: Energy in motion is constantly adapting and reflecting upon the dynamic nature of reality within the dualistic framework of three dimensional spacetime.
12. Emergence and Dimensions: Emergence, attraction, and entanglement contribute to the creation of a dimension. This suggests that dimensions are dynamic constructs arising out of the relationship between fields, i.e. energy patterns.
13. Observation and Self-Awareness: Every state of energy creates a center of and for observation. Such awareness likewise ties one's personal consciousness into a broader fabric of reality.
14. Multidimensional Creativity: Creativity is born from a multidimensional awareness, suggesting that design and creativity are deeply interconnected with our own unique perception of reality.
15. Context of Spacetime: Spacetime serves as the context in which all forms of energy interact and in turn, emphasize the importance of understanding the framework in which we perceive reality.
16. Symbolism and Reality: Design requires recognition and interpretation. This underscores the importance in the use of symbols in defining and understanding consciousness.
Overall, this passage suggests a view of reality as a dynamic interplay of energy, creativity, and observation, where design plays a crucial role in shaping and interpreting our experiences.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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The Tao that can be told is not the eternal Tao;
The name that can be named is not the eternal name.
The nameless is the beginning of heaven and earth.
The named is the mother of ten thousand things.
Ever desireless, one can see the mystery.
Ever desiring, one can see the manifestations.
These two spring from the same source but differ in name; this appears as darkness.
Darkness within darkness.
The gate to all mystery.
o Laozi (Lao Tzu), in Tao Te Ching Ch. 1, as translated by Gia-Fu Feng & Jane English (1972) https://en.wikiquote.org/wiki/Tao
