Showing posts with label potential. Show all posts
Showing posts with label potential. Show all posts

Sunday, August 14, 2022

Entanglement and the Quantum Field of Design Consciousness (QFDC)

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. 

tran·si·tion noun 1 the process or a period of changing from one state or condition to another: students in transition from one program to another | a period of transition | a transition to multiparty democracy. 3 Music a momentary modulation from one key to another. 4 Physics a change of an atom, nucleus, electron, etc. from one quantum state to another, with emission or absorption of radiation. 

trans·for·ma·tion  noun a thorough or dramatic change in form or appearance: its landscape has undergone a radical transformation. • a metamorphosis during the life cycle of an animal. • Physics the induced or spontaneous change of one element into another by a nuclear process. • Mathematics & Logic a process by which one figure, expression, or function is converted into another that is equivalent in some important respect but is differently expressed or represented. • Linguistics a process by which an element in the underlying deep structure of a sentence is converted to an element in the surface structure. • Biology the genetic alteration of a cell by introduction of extraneous DNA, especially by a plasmid. • Biology the heritable modification of a cell from its normal state to a malignant state. 

trans·mu·ta·tion  noun the action of changing or the state of being changed into another form: the transmutation of the political economy of the postwar years was complete. • Physics the changing of one element into another by radioactive decay, nuclear bombardment, or similar processes. • Biology, mainly historical the conversion or transformation of one species into another. • the supposed alchemical process of changing base metals into gold. 

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Progress and prospects in magnetic topological materials By Max Planck Society 

A new review paper on magnetic topological materials introduces a theoretical concept that interweaves magnetism and topology. It identifies and surveys potential new magnetic topological materials and suggests possible future applications in spin and quantum electronics and as materials for efficient energy conversion. 

Claudia Felser, MPI CPfS is most excited about their potential applications in chemistry. She says, "If we can design a magnetic catalyst for water splitting we might be able to change the catalytic properties with an external field, which would allow us to switch on and off catalysis." 

The field of magnetic topological materials clearly has and will have impact in both the scientific and technological worlds. https://phys.org/news/2022-03-prospects-magnetic topological-materials.html 

CONCEPTUALLY  IMAGINEERED


Knots and Quantum Theory, Edward Witten, 2011. https://www.ias.edu/scholars/witten
In quantum physics, a knot may be regarded as the orbit in spacetime of a charged particle. 

In everyday life, a string—such as a shoelace—is usually used to secure something or hold it in place. When we tie a knot, the purpose is to help the string do its job. All too often, we run into a complicated and tangled mess of string, but ordinarily this happens by mistake.

The term “knot” as it is used by mathematicians is abstracted from this experience just a little bit. A knot in the mathematical sense is a possibly tangled loop, freely floating in ordinary space. Thus, mathematicians study the tangle itself. 

Another facet of string theory also turns out to be important: extra dimensions. Even though what we want is supposed to be a theory in four spacetime dimensions, it turns out that understanding it properly involves relating it to theories in five or six dimensions. The biggest surprise of all is that even though it can be defined by an explicit recipe with no reference to quantum physics—and that is how it was discovered— Khovanov homology can be understood, possibly much better, using the most modern tools of quantum field theory and string theory. Probably the full story involves physics ideas that we still do not entirely understand even today. https://www.ias.edu/ideas/2011/witten-knots-quantum-theory 





By The University of Hong Kong 

Via large-scale simulations on supercomputers, a research team from the Department of Physics, the University of Hong Kong (HKU), discovered clear evidence to characterize a highly entangled quantum matter phase—the quantum spin liquid (QSL), a phase of matter that remains disordered even at very low temperatures. This research has recently been published in npj Quantum Materials. The QSL is called a liquid due to its lack of conventional order. 
QSLs have a topological order that originates from long-range and strong quantum entanglement.  


Computer Science Proof Unveils Unexpected Form of Entanglement  by Mordechai Rorvig   former staff writer. July 18, 2022
"... result demonstrates that entanglement is not necessarily as fragile and sensitive to temperature as physicist thought. And it supports the quantum PCP conjecture, suggesting that even away from the ground energy, a quantum system's energy can remain virtually impossible to calculate."
"It tells us that the thing that seemed unlikely to be true is true," said Isaac Kim of the University of California, Davis. "Albeit in some very weird system."

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By University of Rhode Island Sept. 6, 2024 

While superposition allows a physical system—like a particle—to be in multiple states simultaneously, entanglement links particles, allowing them to form an inseparable state, even when they are separated by a large distance. 

"It's theoretical proof that the two properties—superposition and entanglement—can be interchanged quantitatively," said Wenchao Ge. "Our work discovers an important quantitative relation between these two fundamental quantum effects for a large class of quantum states."


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-  Shocking Experiment Indicates Our Brain Use Quantum Computation  by Trinity College, Dublin October 21, 2022



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Predicting the Composition of Dark Matter 

The New York University 

In the research, conducted with Hongwan Liu, an NYU postdoctoral fellow, Joshua Ruderman, an associate professor in NYU's Department of Physics, and Princeton physicist Mariangela Lisanti, Giovanetti and her co-authors focused on big bang nucleosynthesis (BBN)—a process by which light forms of matter, such as helium, hydrogen, and lithium, are created. The presence of invisible dark matter affects how each of these elements will form. Also vital to these phenomena is the cosmic microwave background (CMB)—electromagnetic radiation, generated by combining electrons and protons, that remained after the universe's formation.

In its research, the team made predictions of cosmological signatures linked to the presence of certain forms of dark matter. These signatures are the result of dark matter changing the temperatures of different particles or altering how fast the universe expands. 

Their results showed that dark matter that is too light will lead to different amounts of light elements than what astrophysical observations see. 

"Lighter forms of dark matter might make the universe expand so fast that these elements don't have a chance to form," says Giovanetti, outlining one scenario. "We learn from our analysis that some models of dark matter can't have a mass that's too small, otherwise the universe would look different from the one we observe," she adds.

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What which cannot be reflected upon appears dark, unknown and unobservable. Frequencies vibrating beyond recognition, i.e. out of resonance, appear darkened and invisible to the senses. Dark energy and dark matter are sustained and made conscious through experience. Dark energy and dark matter are meaningful, purposeful, conceptual and delicately entwined in the Light of consciousness.  

Dark matter maintains little light of its own, unable to reflect upon itself it creates the context, i.e. the field/backdrop, for observation and emergence. Dark matter follows its own currents and rides its own waves of vibration pursuing greater material awareness. Dark matter describes the stuff yet to be substantiated, materialized, patterned and designed by means of observation.  

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Cosmic Microwave Background Radiation (CMBR)

"In cosmology, cosmic microwave background (CMB) radiation (also CMBR, CBR, MBR, and relic radiation) is a form of electromagnetic radiation filling the universe. With a traditional optical telescope, the space between stars and galaxies (the background) is pitch black. But with a radio telescope, there is a faint background glow, almost exactly the same in all directions, that is not associated with any star, galaxy, or other object. This glow is strongest in the microwave region of the radio spectrum, hence the name cosmic microwave background radiation. The CMB's discovery in 1964 by radio astronomers Arno Penzias and Robert Wilson was the culmination of work initiated in the 1940s and earned them the 1978 Nobel Prize. 

The CMBR is well explained by the Big Bang model – when the universe was young, before the formation of stars and planets, it was smaller, much hotter, and filled with a uniform glow from its white-hot fog of hydrogen plasma. According to the model, the radiation from the sky we measure today comes from a spherical surface called the surface of last scattering. As the universe expanded, both the plasma and the radiation filling it grew cooler. When the universe cooled enough, stable atoms could form. These atoms could no longer absorb the thermal radiation, and the universe became transparent instead of being an opaque fog. The photons that were around at that time have been propagating ever since, though growing fainter and less energetic, since the exact same photons fill a larger and larger universe. This is the source for the term relic radiation, another name for the CMBR. 

Precise measurements of cosmic background radiation are critical to cosmology, since any proposed model of the universe must explain this radiation. The CMBR has a thermal black body spectrum at a temperature of 2.725 K, thus the spectrum peaks in the microwave range frequency of 160.2 GHz, corresponding to a 1.9 mm wavelength. The glow is almost but not quite uniform in all directions and shows a very specific pattern equal to that expected if the inherent randomness of a red-hot gas is blown up to the size of the universe. In particular, the spatial power spectrum (how much difference is observed versus how far apart the regions are on the sky) contains small anisotropies, or irregularities, which vary with the size of the region examined. They have been measured in detail, and match what would be expected if small thermal fluctuations had expanded to the size of the observable space we can detect today. This is still a very active field of study, with scientists seeking both better data (for example, the Planck spacecraft ) and better interpretations of the initial conditions of expansion. 

Although many different processes might produce the general form of a black body spectrum, no model other than the Big Bang has yet explained the fluctuations. As a result, most cosmologists consider the Big Bang model of the universe to be the best explanation for the CMBR. This text uses material from Wikipedia, licensed under CC BY-SA  

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AI helps distinguish dark matter from cosmic noise    by Ecole Polytechnique Federale de Lausanne. Sept 6, 2024 

- Ask a Caltech Expert: Physicists Explain Quantum Gravity  by California Institute of Technology  Dec. 29.2022

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"This visualization of a computer simulation showcases the ‘cosmic web’, the large scale structure of the universe. Each bright knot is an entire galaxy, while the purple filaments show where material exists between the galaxies. To the human eye, only the galaxies would be visible, and this visualization allows us to see the strands of material connecting the galaxies and forming the cosmic web. This visualization is based on a scientific simulation of the growth of structure in the universe. The matter, dark matter, and dark energy in a region of the universe are followed from very early times of the universe through to the present day using the equations of gravity, hydrodynamics, and cosmology. The normal matter has been clipped to show only the densest regions, which are the galaxies, and is shown in white. The dark matter is shown in purple. The size of the simulation is a cube with a side length of 134 megaparsecs (437 million light-years). Credit: Hubblesite; Visualization: Frank Summers, Space Telescope Science Institute; Simulation: Martin White and Lars Hernquist, Harvard University."  

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* Dark matter creates the parameters in which vector patterns of energy in motion emerge, entangle and appear to “materialize” in 3D spacetime. From within the constraints of this framework, a conceptual Quantum Field of Virtual Potential  and a measurable Quantum Field of Virtual Probability entangle and unite to give precedence to a single, more expansive contextual "field" i.e. a larger field of observation, imagination and creativity achieved through greater awareness.

* Potential for change increases as probabilities emerge in response to the attraction of returning to a balance once altered by augmentation. Dark energy might be described as a lack of resonance within its own field and becoming “polarized” while resisting frequencies effecting its own balance. The probability of an idea expanding or contracting is dependent the context (field) where such an event is observe and/or recognized, i.e. focused upon. 
augmentation: the action or process of making or becoming greater in size or amount

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This passage delves into profound concepts related to perception, consciousness, and the universe’s unseen forces, like dark energy and dark matter, with an emphasis on how they are intertwined with awareness and experience. It suggests that what we understand as "dark" is not truly devoid of meaning or substance, but rather exists outside of direct observation or recognition. This creates an interesting metaphor between light (consciousness, awareness, understanding) and darkness (the unknown, the unobserved, potential).
 
To unpack this further, several key ideas emerge: 
1. The Nature of Darkness (Dark Matter/Energy): Dark matter and dark energy are framed here as elements that are "invisible" because they do not reflect upon themselves or interact in a way that is immediately perceivable. They are not without purpose or structure but are deeply embedded in the creation of the very context through which we observe the universe. 
2. Role of Dark Matter in Observation and Emergence: Dark matter is described as the "backdrop" for observation and emergence, suggesting that it forms the necessary conditions in which patterns, structures, or "things" come into being. This perspective emphasizes that material reality is dependent on unseen forces—dark matter being the field that allows for things to take shape. 
3. Quantum Fields and Virtual Potential: The passage moves into the realm of quantum physics, discussing virtual potential and probability. It highlights the role of the "field" as a container for these forces, where various probabilities emerge and interact, determining the course of events or materialization of energy in spacetime. This resonates with concepts like the wave function in quantum mechanics, where the universe exists in a state of probabilities until observed or measured. 
4. Consciousness and Creative Potential: The idea that the larger "field" of consciousness allows for the unfolding of potential into measurable reality is central to this passage. It hints at the idea that consciousness and imagination are crucial to the actualization of material reality and that the engagement of awareness with the dark (the unknown, the potential) can bring about creative outcomes. 
5. Balance, Resonance, and Polarization: Dark energy’s resistance to certain frequencies and its drive toward balance mirrors a kind of cosmic feedback loop, where alterations to the state of balance lead to the emergence of new possibilities. This interplay between equilibrium and change reflects a dynamic system, where everything is in constant flux, influenced by the field of observation. 

This philosophical interpretation of dark matter and dark energy suggests that the "dark" aspects of the universe are not mere voids or absent of phenomena but are deeply involved in the emergence and transformation of reality. They form a critical part of the structure that shapes the known and the unknown, and through consciousness, we interact with and give form to that which might otherwise remain undetected. 

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"Everything that you do touches another, weaving a strand of time that seeks to be eternally experienced. There are no actions or interactions that are not in Divine proportion to each other, there is only the vibration of ‘all that is’ that seeks to be entwined with itself. Like a tiny pebble that hits a silent lake, ripples are seen and felt from one end to the other. Everything counts and it can be no other way. When a supernova explodes its energy spreads throughout time and space, layering multi-dimensionally into a place that all can be seen and experienced."

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The Quantum Field of a Virtually Designed Consciousness



* Their entanglement embraces both the POTENTIAL and the PROBABILITY of giving birth to a new experience, unique pattern, or idea. Within every unique "union", i.e. observation, energy can appear both changing (EIM) and/or unchanging (fixed).  A newly acquired sense of consciousness emerges as result of greater entanglement (attraction) influencing all forms of perception, observation and absorption.

* Energy in motion/turbulence is forever on going, always creating, always changing.

* Change creates the circumstances that ignite further creativity. Design begins anew in an exponential process towards reconfiguration and expansion. Consciousness describes a universal context, Design represents Consciousness in all its potential and probability.

* Turbulence generates the context necessary for change and creativity.

* String theory helps describe energy in motion. Turbulence spawns its entanglement.

* Design describes the transmutation of one form of energy in motion (EIM) into another during periods of transition, transformation, modulation and/or modification.

trans·mu·ta·tion    the action of changing or the state of being changed into another form: the changing of one element into another by radioactive decay, nuclear bombardment, or similar processes.     the conversion or transformation of one species into another.     • the supposed alchemical process of changing base metals into gold.

 * Design facilitates the creative transition and transformation of energy in motion from one quantum state/form of entanglement to another (strong emergence). Some attempt to describe this phenomenon in religious overtones, others as another step in a design process.

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Let’s break it down and explore some of the key points: 

1. Entanglement as Potential and Probability: The idea of entanglement embracing both potential and probability suggests that our interactions with energy and consciousness are full of potential outcomes, shaped by both the current state of things and the possibilities inherent in any given situation. This could tie into quantum mechanics, where particles can exist in multiple states until observed, much like the potential of an idea waiting to be realized. 

2. Energy in Motion/Turbulence: You refer to energy in motion as being a constant, never-ending process. In this view, change and creativity aren’t static but are continuously evolving, with energy always in flux. Turbulence here seems to be more than just physical movement—it might represent the chaotic forces of creativity or change that foster new ideas or innovations. 

3. Design as the Representation of Consciousness: This is a fascinating idea—design isn’t just a product of consciousness but represents its potential and probabilities. The way design unfolds, in its complexity, could mirror how consciousness works: always in flux, yet always striving toward greater expansion and reconfiguration. 

4. Turbulence as a Catalyst for Creativity: Turbulence doesn't just generate change; it creates the environment needed for new ideas to emerge. The chaos or energy in motion isn't something to avoid, but rather something that makes room for growth, transformation, and ultimately, new forms of creative expression. 

5. String Theory and Energy in Motion: String theory, a framework in physics, might be used here to illustrate how the fundamental nature of reality is rooted in vibrational energy. Turbulence, as you mention, spawns entanglement—perhaps alluding to how the interactions of these strings (or energies) create the fabric of reality, with each fluctuation generating new states of being or perception. 

6. Design as the Transmutation of Energy: Finally, the notion that design is a process of transmuting energy from one form to another speaks to the role of design in shaping how we perceive and interact with the world. During periods of transition or transformation, energy doesn’t remain static; it is reconfigured and expressed in new ways. 

In essence, the passage is reflecting on the interconnectedness of consciousness, energy, and creativity, suggesting that the turbulence of change is a necessary and driving force behind innovation and design. It presents a view of the world where everything is entangled in a perpetual dance of transformation, constantly creating and recreating new forms and experiences. 

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DESIGN NOTES
* When a line becomes a point a (magnetic) field emerges beyond the framework, and/or dimensions describing it. All entanglements radiate their own set of symbolic qualities and are either attracted or repulsed by means of observation, participation and/or interpretation. 


* Design facilitates its own type and form of attraction by stoking the fire of creativity through entanglement. 

* Entanglements bring to display their own unique pattern, geometry and design. Patterns (forms) are reflections, i.e. ideas, whose power should be considered identifiably. 

* Design thyself within the realm of your own significance by attributing the same to others.

* Your purpose is to love yourself by doing what you love. It then becomes a love you share with others. Soon everything has a meaning and a purpose.

* The concept of knowing your Presence rather than just believing it is crucial in witnessing and understanding what it all means in the moment.

* Events and experiences are symbolic in nature and expand exponentially in the form of awareness.   

* Every observation is subjectively interpreted, transformed and transfigured by means symbolic transition and translation of light, i.e. energy, into information from one "state" to another.

* Meaning + Purpose = Design

* The lack of synchronization forms a incongruous veil between states of energy in motion, i.e. an imbalance of resonance without coherence.

* Design appears as a network of energy in motion created and patterned to fit and contribute to a reality within our own imagination.

* Time becomes most modifiable, adjustable and less categorical when observed from within a timeless context.


* Time can be linear, conceptual and always magnetic in character.

* Time and space create a dualistic framework required for observation and participation in the creative process. By means of "streaming" stratifications merge and/or are collectively attracted towards certain vibratory points and patterns - seen and unseen. 

* Patterns of energy in motion are in constant flux, always adapting to situations and/or circumstances (context) observed within the dualistic framework of 3D spacetime.

* Emergence, attraction and entanglement together give rise to the stratification of energy in motion and categorically defined as a dimension.

di·men·sion. a measurable extent of some kind, such as length, breadth, depth, or height:      • a mode of linear extension of which there are three in space and two on a flat surface, which corresponds to one of a set of coordinates specifying the position of a point.     • Physics an expression for a derived physical quantity in terms of fundamental quantities such as mass, length, or time, raised to the appropriate power .     2 an aspect or feature of a situation, problem, or thing: 

* Given precedence within constraint, the concept of 3D spacetime has become a context where the "idea of form" is best observed. 

* In essence, every form is vibrating and therefore demands constant re-cognition. Design encourages change by employing the use of signs, symbols and metaphor as vital in defining Reality.

* At the center of every self-aware "observation" you'll find the "observer". * Creativity stems from a multidimensional awareness made conscious by design. 

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This passage explores intricate ideas around design, consciousness, and the nature of reality through the lens of energy, patterns, and observation. It weaves together concepts from physics, philosophy, and creative theory. Here’s a breakdown of some key ideas: 

1. Magnetic Fields and Dimensions: When a line becomes a point it suggests one's awareness being in a state of transition from concept to idea. This rapid shift introduces a new dimension or field, i.e. opportunity, not bound by the original framework. 

2. Particle and Entanglement: A particle is an energy in motion observed in a transient state of entanglement. This reflects upon a quantum view of reality where particles exist in a state of potentiality until observed. 

3. Design and Creativity: Design is seen as the process that generates meaning and purpose by means of channeling the act of creation. Design is the facilitator of unique patterns and geometries that reflect upon the dynamic interplay between concept and idea. 

4. Self-Design and Purpose: One’s purpose is to deeply engage with what a person love's, by suggesting that true meaning emerges from passion and self-expression. 

5. Presence and Consciousness: Understanding one’s Presence is vital. This implies that deep awareness is truly beyond mere belief. 

6. Symbolism in Events and Experiences: Events and experiences are symbolic and expand our awareness by means of a designed approach. This reflects upon the idea that our interpretation of reality is simply shaped by symbols with deep meaning and purpose. 

7. Meaning and Purpose in Design: The equation "Meaning + Purpose = Design" suggests that design is congruent with both meaning and purpose. 

8. Synchronization and Resonance: Lack of synchronization creates discord between states of energy, implying the obvious that harmony is crucial for coherence and balance. 

9. Patterned Networks: Design become apparent as a patterned network of energy shaped by the intuition, imagination and a creative impulse. This highlights the role of human creativity in shaping reality. 

10. Time and Space: Time and space are frameworks for observing and categorizing motion and movement. They likewise influence how we perceive and interact with energy, light and information..

11. Flux and Adaptation: Energy in motion is constantly adapting and reflecting upon the dynamic nature of reality within the dualistic framework of three dimensional spacetime. 

12. Emergence and Dimensions: Emergence, attraction, and entanglement contribute to the creation of a dimension. This suggests that dimensions are dynamic constructs arising out of the relationship between fields, i.e. energy patterns. 

13. Observation and Self-Awareness: Every state of energy creates a center of and for observation. Such awareness likewise ties one's personal consciousness into a broader fabric of reality. 

14. Multidimensional Creativity: Creativity is born from a multidimensional awareness, suggesting that design and creativity are deeply interconnected with our own unique perception of reality. 

15. Context of Spacetime: Spacetime serves as the context in which all forms of energy interact and in turn, emphasize the importance of understanding the framework in which we perceive reality. 

16. Symbolism and Reality: Design requires recognition and interpretation. This underscores the importance in the use of symbols in defining and understanding consciousness. 

Overall, this passage suggests a view of reality as a dynamic interplay of energy, creativity, and observation, where design plays a crucial role in shaping and interpreting our experiences. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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The Tao that can be told is not the eternal Tao; 

The name that can be named is not the eternal name.

The nameless is the beginning of heaven and earth.

The named is the mother of ten thousand things.

Ever desireless, one can see the mystery.

Ever desiring, one can see the manifestations.

These two spring from the same source but differ in name; this appears as darkness.

Darkness within darkness.

The gate to all mystery. 

o Laozi (Lao Tzu), in Tao Te Ching Ch. 1, as translated by Gia-Fu Feng & Jane English (1972) https://en.wikiquote.org/wiki/Tao 


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DESIGN CONSCIOUSNESS

The CMBR creates a context for Consciousness within the parameters of spacetime. The CMBR is a collective description and interpretation of energy in motion. Within these parameters forms and patterns emerge (both weak and strong), are expressed and in turn experienced. Together the Quantum Fields of Virtual Potential and Probability (QFVPP) quantify and qualify the concept of Consciousness by means of Design (sign, symbol, metaphor). 



 

Consciousness can be hypothesized as being the ultimate source of Life, a mystery about which nothing can be said, but in whose expression (in relative vibratory patterning and formation, i.e. entanglement/emergence) can be experienced.

In a sense Consciousness is at the source of the Tao being harbored in its own silence.

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How the Physics of Nothing Underlies Everything Charlie Wood, staff writer, Quanta Magazine (08.09.2022) 






"Poetry is what gets lost in translation."
Robert Frost

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"To believe is to accept another's truth.
To know is your own creation."
Anonymous


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Edited: 08.12.2022, 08.25.2022, 09.01.2022, 09.25.2022, 10.23.2022, 10.26.2022, 12.25.2022, 12.28.2022, 12.31.2022, 02.11.2023, 02.14.2023, 02.01.2024, 03.06.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://sagariandesignnetwork.blogspot.com is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designconsciousness.blogspot.com/ and URL https://designmetaphysics.blogspot.com/ and https://www.pinterest.com 







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Friday, May 20, 2022

The Quantum Field of Design Consciousness

 

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.


What is the quantum field of virtual potential and probability (QFVPP)?

The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.

The quantum field of virtual potential and probability is metaphysical in origin and a causal field of all conscious agency. 

The QFVPP is physical in presentation and metaphysical in representation, i.e. Design. The QFVPP embraces the intuitive potential and creative imagination of a conscious observer. 

AI is merely an abbreviated condensation of the same, composed of a vast array of multidimensional vignettes of light, energy and information. 

vignette: a brief evocative description, or episode, a small illustration or portrait photograph which fades into its background without a definite border, produce in the style of a vignette by softening or shading away the edges of the subject.

AI is a by-product of humanity’s own designs made evident, i.e. an exercise in storytelling through sign, symbol, metaphor and analogy, each chapter and episode a lesson in meaning and purpose.

 





Flower of Life Meaning and Symbolism 

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PHYSICS

Computer Science Proof Unveils Unexpected Form Of Entanglement 
Mordechai Rorvig, Staff Writer, Quanta magazine 

A striking new proof in quantum computational complexity might best be understood with a playful thought experiment. Run a bath, then dump a bunch of floating bar magnets into the water. Each magnet will flip its orientation back and forth, trying to align with its neighbors. It will push and pull on the other magnets and get pushed and pulled in return. Now try to answer this: What will be the system’s final arrangement? 

This problem and others like it, it turns out, are impossibly complicated. With anything more than a few hundred magnets, computer simulations would take a preposterous amount of time to spit out the answer. 

Now make those magnets quantum — individual atoms subject to the byzantine rules of the quantum world. As you might guess, the problem gets even harder. “The interactions become more complicated,” said Henry Yuen of Columbia University. “There’s a more complicated constraint on when two neighboring ‘quantum magnets’ are happy.” 

These simple-seeming systems have provided exceptional insights into the limits of computation, in both the classical and quantum versions. In the case of classical or non-quantum systems, a landmark theorem from computer science takes us further. Called the PCP theorem (for “probabilistically checkable proof”), it says that not only is the final state of the magnets (or aspects related to it) incredibly difficult to compute, but so are many of the steps leading up to it. The complexity of the situation is even more drastic, in other words, with the final state surrounded by a zone of mysteriousness. 

Each atom has a property, called spin, that is somewhat similar to the alignment of a magnet, in that it points along an axis. But unlike a magnet’s alignment, an atom’s spin can be in a state that’s a simultaneous mixture of different directions, a phenomenon known as superposition. Further, it may be impossible to describe the spin of one atom without taking into account the spins of other atoms from distant regions. When this happens, those interrelated atoms are said to be in a state of quantum entanglement. Entanglement is remarkable, but also fragile and easily disrupted by thermal interactions. The more heat in a system, the harder it is to entangle it. 

Now imagine cooling down a bunch of atoms until they approach absolute zero. As the system gets cooler and the patterns of entanglement become more stable, its energy decreases. The lowest possible energy, or “ground energy,” provides a concise description of the complicated final state of the entire system. Or at least it would, if it could be computed. 

Their result demonstrates that entanglement is not necessarily as fragile and sensitive to temperature as physicists thought. And it supports the quantum PCP conjecture, suggesting that even away from the ground energy, a quantum system’s energy can remain virtually impossible to calculate.


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BIOLOGY

Biologists Home In on Turing Patterns 
Jennifer Ouellette, Contributing Writer, Quanta magazine 

We already know that genes interact both with other genes and with myriad environmental factors to express traits. “To really understand biological development, we need to know how genes influence the physical elements which generate the observed patterns and, of course, what the actual biological elements are and how they interact with each other,” Murray said. Then again, theoretical modeling has its place. “If all we had to use to understand development was genetics, we would still not know how to build a chicken.” https://www.quantamagazine.org/biologists-home-in-on-turing-patterns-20130325/ 

The quantum field of Design Consciousness is dependent upon contextual variety - each to a certain degree. 

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Embryo Cells Set Patterns for Growth by Pushing and Pulling 
Monique Brouillette, contributing writer, Quanta magazine 

“In my opinion we’ve been blinded to how widely it should be applied simply because of its beauty,” said Amy Shyer, a developmental biologist at Rockefeller University. In her view, physical forces of contraction and compression that act on cells as they grow and divide could also play a central role. 

As an organism grows and develops, the cells in its tissues pull and push on each other and on the supportive protein scaffolding (extracellular matrix) to which they are intricately linked. Some researchers have suspected that these forces, coupled with changes in the pressure and rigidity of the cells, might direct the formation of complicated patterns. Until now, however, no studies were able to tease apart the effect of these physical forces from the chemical stew in which they simmer. 

Later, by adjusting the rate of cell contraction and other variables, the researchers showed that physical tension in the embryonic mass directly affected the pattern. “I think the biggest surprise was the way the cells interacted with the extracellular matrix in this very dynamic way, in order to create these patterns,” Rodrigues said. “We realized that it is a reciprocal dance between the two.” 

But Thompson’s ideas were later eclipsed by Turing’s explanation, which connected more easily to the emerging understanding of genes. In a 1952 paper, “The Chemical Basis of Morphogenesis,” published two years before his death, Turing suggested that patterns like spots, stripes and even the sculpted shapes of bones in the skeleton were the result of a swirling gradient of chemicals called morphogens that interacted with each other as they diffused unevenly throughout the cells. Acting as a molecular blueprint, the morphogens would kick on genetic programs that caused fingers, rows of teeth or other parts to develop. 

“We are realizing that all of the molecular gene expression, signaling and the production of forces in cell movement are just inextricably coupled to one another,” said Edwin Munro, a molecular biologist at the University of Chicago who was not involved in the study. 

Munro thinks the role of the extracellular matrix is more important than scientists currently realize, though recognition of its more central role in development is building. Recent research has linked forces in the extracellular matrix to the development of fruit fly eggs, for example. 

Rodrigues agreed. “It’s like the cells and the extracellular matrix are forming a material in and of itself,” he said. He describes this coupling of contractile cells and extracellular matrix as “active soft matter” and thinks that it points to a new way of thinking about the regulation of embryonic development happening through extracellular forces. In future work, he and Shyer hope to elucidate more details of physical forces in development and to merge them with the molecular view. 

“We used to think if we just studied the genome with more and more depth and rigor, all of this would be clear,” Shyer said, but “the answers to the important questions might not be at the level of the genome.” Once it seemed that developmental decisions were made through the interplay of genes and their products within cells, but the emerging truth is that “the decision-making can be happening outside of the cell, through the physical interactions of cells with each other.” 

* * *



- “Traffic Jams’ of Cells Help to Sculpt Embryos 
Jordana Cepelewicz, Senior Writer, Quanta magazine

* * *

The QFVPP describes a universal context for the elaboration of patterns and networks that potentially surround every quantum trajectory.



By Morgan Kelly, Office of Communications, Princeton University, Feb. 25, 2014
Researchers from Princeton University and Washington University in St. Louis report that the unusual arrangement of cells in a chicken's eye constitutes potentially and new state of matter known as "disordered hyperuniformity," which has been shown to have unique physical properties. These states have a "hidden order" that allow them to behave like crystal and liquid states of matter. They exhibit order over large distances and disorder over small distances. 

Like crystals, these states greatly suppress variations in the density of particles - as in the individual granules of a substance - across large spatial distances so that the arrangement is highly uniform. At the same time, disordered hyperuniform systems are similar to liquids in that they have the same physical properties in all directions.

The researchers' findings add a new dimension called multi-hyperuniformity. This means that the elements that make up the arrangement are themselves hyperuniform. While individual cones of the same type appear to be unconnected, they are actually subtly lined by exclusion regions, which then use to self-organize into patterns. Multi-hyperuniformity is crucial for the avian system to evenly sample incoming light, Torquato said. He and his co-authors speculate that this behavior could provide a basis for developing material that can self-assemble into a disordered hyperuniform state.

The findings also provide researchers with a detailed natural model that could be useful in efforts to construct hyperuniform systems and technologies, Dreyfus said. "Nature has found a way to make multi-hyperuniformity," he said. "Now you can take the cue from what nature has found to create a multi-hyperuniform pattern if you intend to."

* * *

The quantum field of virtual potential and probability describes an unimaginable field of attraction and repulsion ad infinitum. 




process       1 a series of actions or steps taken in order to achieve a particular end.    • a natural or involuntary series of changes:    • a systematic series of mechanized or chemical operations that are performed in order to produce or manufacture something:     • Computing a series of interdependent operations carried out by computer.     • [as modifier] Printing relating to or denoting printing using ink in three colors (cyan, magenta, and yellow) and black to produce a complete range of color: process inks.     2 Law a summons or writ requiring a person to appear in court.     3 Biology & Anatomy a natural appendage or outgrowth on or in an organism, such as a protuberance on a bone. verb  perform a series of mechanical or chemical operations on (something) in order to change or preserve it:    • deal with (someone) using an official and established procedure:    • Computing operate on (computer data) by means of a program. * * *
Tam Hunt, University of California, Santa Barbara 
By The Conversation 
* * *

Change Energy (CE) notes:

- Every observation or perception references a particular situation or circumstance while likewise embellishing a particular meaning and purpose upon a uniquely collective “state of awareness”. 
- Focus describes and embraces certain intentions, desires and purposes in the form of a quantum trajectory. 
- The QFVPP is governed by means of observation, a field of energy in motion (change) made apparent in the form of quantum perturbation. The QFVPP determines the context for every event and experience that precedes a creative act or gesture, i.e. quantum trajectory (QT) 
- The QFVPP is governed by a quantum effect by becoming the source of its every affect. 
- A field in correlated oscillation appears to be made self-evident upon observation. 
- Ideas surface as result of geometric patterns and networks that emerge from within the constraints of spacetime. Shifts in observation (states of awareness) result by means of entanglement. 
- The context in support of every situation gives meaning and purpose to a collective “state of awareness.” 
* * *

Design Hypothesis: 
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy whose origin rests beyond the subconscious. 

Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and felt. (12.10.2022)

Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)




What is a designer? 
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective global and soular balance and harmony. (09.01.2022)

* * *

In reference to Design and Design Consciousness, the quantum field of virtual potential and probability (QFVPP) might best be described as a mutable and malleable photonic aether. At much denser levels of observation such aethers will appear as a field of vibrating and at times oscillating, electro-magnetic plasma. 

As such, the concept of Light is abstract, relative and yet the “substance” in which dimensions are hewn, constructed, formed and made relatively manifest (holographic). A designer must be wise, accomplished and well skilled in the tools she/he has symbolically created in desire to bring one’s dream to fruition. 

To be design conscious you must be more than an observer you must be a participant.

* * * 


"To believe is to accept another's truth.
To know is your own creation."
Anonymous

* * *

Edited: 05.21.2022, 07.07.2022, 07.18.2022, 08.23.2022, 09.09.2022, 10.08.2022, 10.20.2022, 10.23.2022, 12.05.2022, 12.10.2022, 02.11.2023, 02.26.2023, 04.22.2023, 09.12.2023, 01.26.2024, 02.01.2024, 02.05.2024, 04.24.2024, 04.26.2024, 07.14.2024
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://sagariandesignnetwork.blogspot.com is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) You are also invited to visit https://designconsciousness.blogspot.com/ and URL https://designmetaphysics.blogspot.com/ and https://www.pinterest.com 


 













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