"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.
What are iterations?
1 : version, incarnation the latest iteration of the operating system. 2 : the action or a process of iterating or repeating: such as. a : a procedure in which repetition of a sequence of operations yields results successively closer to a desired result.
Each time the production process is changed, this is a different iteration. Each time the order of operations and procedures are changed, this is a different iteration. The goal is to achieve the fastest, best and most optimal method of creating a product.
Iteration is defined as the act or process of repeating. For example, iteration can include repetition of a sequence of operations in order to get ever closer to a desired result. Iteration can also refer to a process wherein a computer program is instructed to perform a process over and over again repeatedly for a specific number of times or until a specific condition has been met.https://examples.yourdictionary.com/iteration-examples.html
Why do you iterate?
Iterative design allows designers to create and test ideas quickly. Those that show promise can be iterated rapidly until they take sufficient shape to be developed; those that fail to show promise can quickly be abandoned. It's a cost-effective approach which puts user experience at the heart of the design process. Jan 1, 2021
The Quantum Field of Virtual Potential and Probability (QFVPP)
What is the quantum field of virtual potential and probability?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
The QFVP is timeless, spaceless and boundless (0). Design consciousness by means sign, symbol and metaphor describes the innate and intuitive ability to create and develop, i.e. design, a personal language of symbols requisite in corresponding with the known and the unknown.
Consciousness partakes in this design event/ experience by means of establishing the playing field (QFVPP) between the unconscious and the subconscious. The subconscious and the unconscious are "dimensional concepts" that due to change, virtually meld together to become ideas, i.e. patterns of energy in motion revolving about an attractive source.
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A spawning field of awareness being made conscious
Ideas in conjunction, i.e. concurrence, together define, describe and induce a "spawning field of energy in motion". Ideas are forever connecting and reconnecting in reference to contexts in which they are observed. Collective systems/networks of EIM give reference to such "contexts" in which these events and experiences are being observed. Contexts (concepts) and the ideas that together generate them, are always changing. This phenomenon helps describe the concepts of Design and Design Consciousness.
spawn: to give rise to, bring about, generate, originate, effect, induce, initiate, set off, breed, give birth to, provoke, participate, spark off, trigger, contribute to, be conducive to, foster, promote, beget.
Ideas are conceptual in origin and made conscionable, i.e. perceptible, observable and aware, by virtue of the design process. Design is made recognizable and therefore conscionable in the form of signs, symbols, metaphor and analogy.
The event horizon, i.e. consciousness, pivots about a center/zero point, i.e. a design consciousness. Design is consciously felt and exists beyond dimensional constraint.
The Design Process
The unconscious is made symbolically apparent by means of the subconscious. The subconscious is made symbolically apparent by means of the imagination. The imagination is made symbolically apparent by means of an impression, feeling or image of an idea. Ideas are made symbolically apparent by means of creation. Creation is made symbolically apparent as means to magnify, enrich and complement what is considered the unknown.
Become sensitive to the symbolic relationship between yourself and all that surrounds you. Limitation and constraint expand into dimensionless space and timeless time while simultaneously spiralling about a centralized present (nowness). The subconscious is at the core (0) of the creative process and event horizon.
Change is eternal and fundamental to understanding the concept of a quantum field of virtual potential and probability (QFVPP). The QFVPP is multidimensional in context and endlessly changing in symbolic representation and form by means of a variety of vibratory frequencies, i.e. patterns and forms of energy, light and information.
Design is a metaphor for change, transition and transformation made conscious and apparent within a quantum field of virtual potential.
What appears to be imaginary is part of a designed process symbolically represented within a quantum field of virtual potential. Change appears in the form of energy, light and information.
The concept of spaceless space and timeless time is an inference that cannot be measured in any momentum of space.
inference.nounthere should be no inference drawn from the fact that he chooses not to be a witness:deduction,conclusion,reasoning,conjecture,speculation,guess,presumption,assumption,supposition,reckoning,extrapolation.
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Design might be described as a paradoxical contradiction reflecting upon its own non-dimensionality. The design process - a spiraling and cyclical path of energy in motion about a common central source of observation and focus.
The design process (DP) might be interpreted as a trajectory of light, energy and information (LEI). Design projections are dualistic in nature spiraling about a pre-designed path. All is conscious, all is designed.
trajectory|trəˈjekt(ə)rē|noun(pluraltrajectories)1thepath followed byaprojectileflyingoranobjectmovingundertheactionofgivenforces:themissile'strajectorywaspreset|figurative:therapidupwardtrajectoryofRich'scareer.Geometryacurveorsurfacecuttingafamilyofcurvesorsurfacesataconstantaprojection nouna sales projection:forecast,prediction,prognosis,outlook,expectation,estimate. 2tiny projections on the cliff face:protuberance,protrusion,prominence,eminence,outcrop,outgrowth,jut,jag,snag;overhang,ledge.
Dimensions, states and regions together describe and create a multidimensional context, e.g. a quantum field of virtual potential instrumental in generating a conceptual form of reality, dimension and/or consciousness. Circumstantial situations correspond to a timelessness that can only be felt in the moment. These states of energy, light and information create both the backdrop and the impetus behind every creative impulse (wave).
moment|ˈmōmənt|nouna very brief period of time:she was silent foramomentbefore replying|a few moments later he returned to the office.•an exact point in time:she would alwaysrememberthe moment they met.•an appropriate time for doing something; anopportunity:I was waiting forthe right moment.•a particular stage in something's development orinacourseof events:one of the great moments in aviation history.2formalimportance:the issues wereof little momenttotheelectorate.3Physicsa turning effect produced by a force acting atadistanceon an object.•the magnitude of a turning effect produced by aforceacting at a distance, expressed as the product of the force and the distance from itslineof action to a given point. 4. Statisticsa quantity that expresses the average orexpected valueof the first, second, third, or fourth power of the deviation of each componentofafrequency distribution from some given value, typically mean or zero. Thefirst momentisthemean, thesecond momentthe variance, thethird momentthe skew, and thefourth momentthekurtosis.
Once centered upon a designation (feeling, intention, desire, solution) energy in motion must be appointed, focused and cast with a purposeful and meaningful intention towards fulfillment. Energy follows thought and feeling. As patterns surface and emerge corresponding forms of the same will naturally follow.
A natural rise of consciousness and increase in vibration follows every design concept and/or idea. Balance and perfection can be meaningfully and purposefully sought in every dimensional state or region whether rational (spherical, platonic solids, 3D) or irrational (the circle, golden ratio, 2D).
Design describes both energy in motion (EIM) and energy in transition (EIT) appearing as one in the same. The design process can be likened to a symbolic tour in expression and experience bound only within a variety of transformative contexts and constraints.
The design loop is continuous. The source (beginning) can begin anywhere in the design process. There is no beginning there is no end. Design has a vibratory and symbolic nomenclature all its own.
Science and design are fundamental in acquiring a design consciousness. Their relationship demonstrates that limitations are necessary by means of number and measure, without which human consciousness would dissolve and retreat into an abyss of not knowing and only believing.
Mathematicians in the 1970s used attractors to model the behavior of chaotic systems like the weather, and they found that the future path of such a system through its attractor is extremely dependent on its exact starting point. This sensitivity to initial conditions, known as the butterfly effect, makes the behavior of chaotic systems unpredictable; you can’t tell the forecast very far in advance if the flap of a butterfly’s wings today can make the difference, two weeks from now, between sunshine and a hurricane. The infinitely detailed paths that most chaotic systems take through their attractors are called “fractals.”https://www.quantamagazine.org/variable-stars-have-strange-nonchaotic-attractors-20150310
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Generally speaking human consciousness is currently functioning within the parameters of a second and fourth dimensional framework. As awareness expands and progresses in time and experience, consciousness becomes attracted to expansive and more far reaching interpretations of reality. Design influences counting its intimate relationship with signs, symbols, synchronicity, the subconscious, synergy, quantum awareness and metaphor gradually emerge with the desire to become cognizant. Many describe these traits as categorizations/qualities corresponding to what has been labeled as a fifth dimension.
It is from this dimensional spectrum that our concepts of reality are typically perceived, described, felt, measured and observed. Linear space and time is at the center of our current POV, the zero point (0) of our event horizon/consciousness. Conceptual space (space-lessness) and time (timelessness) describe a dimensional awareness beyond quantum interpretation. When found present in this vibratory frequency reality becomes dimension-less, i.e. both in and out of the moment. The concepts of space and time don't evolve we do.
Currently the concept of space-time creates the context that influences every design idea. Space-time determines how design consciousness is sensed, measured, felt, observed and interpreted. Space-time in conjunction with a quantum field of virtual potential, has a major influence on how and what we create and design. Perpetually changing experiences made in reference to our current situation, i.e. context, adds great insight to our awareness and conceptual understanding of design consciousness.
space-timenounPhysics the concepts oftimeandthree-dimensional space regarded as fused in a four-dimensional continuum.
“This new reality was that space and time, as physical constructs, have to be combined into a new mathematical/physical entity called 'space-time', because the equations of relativity show that both the space and time coordinates of any event must get mixed together by the mathematics, in order to accurately describe what we see. Because space consists of 3 dimensions, and time is 1-dimensional, space-time must, therefore, be a 4-dimensional object. It is believed to be a 'continuum' because so far as we know, there are no missing points in space or instants in time, and both can be subdivided without any apparent limit in size or duration. So, physicists now routinely consider our world to be embedded in this 4-dimensional Space-Time.
Spacetime does not evolve, it simply exists. When we examine a particular object from the standpoint of representation, every particle is located along its world-line. This is a spaghetti-likeline that stretches from the past to the future showing the spatial location of the particle at every instant in time. This world-line exists as a complete object which may be sliced here and there so that you can see where the particle is located in space at a particular instant. Once you determine the complete world line of a particle from the forces acting upon it, you have 'solved' for its complete history. This world-line does not change with time, but simply exists as a timeless object.
Similarly, in reference to general relativity, when you solve equations in the shape of spacetime its shape will change in time, but still remain a completely timeless object. You can examine its geometry in spacetime only in a particular moment. Examining slices "in time" remain in the framework of duality and can only infer as to the expansion and/or compression of a system absent of continuity.
Consciousness harbors and defines every event horizon in the universe. Every event and experience emerging from within this universe (QFVPP) can be measured, perceived and observed photon-ically through a language of Light.
photon|ˈfōtän|nounPhysics. aparticlerepresentinga quantum of light orotherelectromagnetic radiation. A photon carriesenergyproportionaltotheradiationfrequencybuthaszerorest mass.
“To believe is to accept another’s truth. To know is your own creation.”
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role as observer, participator and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
"The universe cannot be read until we have learned the language and become familiar with the characters in which it is written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word. Without these, one is wandering about in a dark labyrinth."
Galileo Galilei
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A designed language (DL) tells a symbolic story of balance, experience, definition and measure.
A designed language focuses upon the moment of meaningful timelessness for purposes of transition and transformation.
A designed language is both informative and revealing, measurable and immeasurable, linear and conceptual.
A designed language is both literal and figurative, generated by an intuitive imagination rooted in subjective and insightful perception/observation, i.e. awareness.
A designed language expands conscious awareness by means of the subconscious both in meaning and purpose.
A designed language creates a special attraction through coherent resonance exercised in relative space/time in order to be made manifest/apparent.
A designed language incorporates its own set of symbols for purposes of growth, expansion and interaction.
A designed language assists in the timeless quest to know, understand and experience balance and harmony.
A designed language brings energy, light and information to greater consciousness by means of symbol and metaphor.
A designed language establishes the link between meaning and purpose.
A designed language creates and harbors the most dynamic circumstances solely for the transition of change<>energy (CE) into light, energy and information.
The intuition gives rise to patterns of attraction (fractal, concepts). The imagination gives rise to its formation (holographic, ideas) and geometry gives rise to its structure tangible and/or intangible.
A designed language is subjective in content and context, a feeling sensed between the emotions of the heart and the intelligence of the mind. Each event and experience is unique to the perceiver/observer. There is no commonality shared except for experiencing the existence of a designed presence.
Design creates and harbors a personal symbolic language that is logical, semiotic, implicative, cognitive, purposeful and meaningful.
We each possess a unique design language of our own that rests at a point in timelessness between the tangible and the intangible.
Designs are created in order to hear the sound of one's own silence.
Design brings forth an embodiment of knowing ever spoken but rarely heard.
Design thinking can make life incredibly simple through the use of signs, symbols, metaphor and analogy.
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A designed language is a symbolic system that conveys balance, transformation, and growth. It is a timeless tool for transition, blending the literal and figurative, the measurable and immeasurable. Rooted in intuition and subjective perception, it reveals deeper meanings and connects the conscious mind with the subconscious. This unspoken language, formed through unique patterns and symbols, fosters awareness and understanding by linking meaning and purpose.
Through its metaphysical origins, a designed language uses symbols and metaphors to bring energy, light, and information into greater consciousness. It creates resonance and attraction in space and time, facilitating dynamic change and transformation. Personal and subjective, it bridges the emotions of the heart with the intelligence of the mind, offering everyone a unique experience.
Ultimately, a designed language embodies the silent expression of knowing, existing in the space between the tangible and intangible, and offering a path to deeper understanding and harmony. It is a tool for personal growth, interaction, and the eternal quest for balance and meaning.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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“We must learn to recognize what is being revealed even though it is always open to interpretation. We are also subject to delusions and misperceptions, so we need to learn discernment. We need to focus on our own dynamic process, not just its finite contents, personalistic signs and symbols.
Images and symbols, like language, can be ambiguous. Piantadosi et al (2011) have shown that all efficient communication systems will be ambiguous, assuming that context is informative about meaning. They also argue that ambiguity allows for greater ease of processing by permitting efficient linguistic units to be re-used. We can imagine the same is true for symbols. Theoretical analysis suggests that ambiguity is a functional property of language that allows for greater communicative efficiency.
But, all we ever really talk about is ourselves and our own processes. Pioneered by William James, Sigmund Freud, and Carl Gustav Jung, Depth Psychology is the study of how we dialogue with the Unconscious via symbols, dreams, myth, art, nature. A symbol is something which can have many meanings at once. By paying attention to the messages that show up from beyond our conscious egos, we can be guide to greater understanding, transformation, and integration with the world around us, inner and outer.”
“The greatest barrier to hearing the Universe’s wisdom is not external noise but internal chatter. The constant stream of thoughts, judgements, memories and projections creates a mental static that drowns out the subtle frequencies of Universal communication.”
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
What is a designer?
Designers are men and women who are faithful and trustworthy to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective, global and soular balance and harmony.(07.01.2023)
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role as observer and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.