Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Monday, September 2, 2024

About the Design Process

 Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.


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Design focuses upon progress, evolution and efficiency.
 
progress: forward movement, progress, advancement, development, improvement, growth, to thrive, to flourish, to prosper, evolution.
evolution: development, advancement, progress, extension, expansion, unfolding, transformation, adaptation, modification, revision, reconstruction, recasting, change.
efficiency: organization, order, balance, planning, coherence, logicality, productivity, effectiveness, affectiveness, competence, proficiency, expertise, skill, harmony.

 
translation: convert, transcribe, adapt, version, rendering, paraphrase, reword, rephrase, recast, convert, decipher, decode, simplify, explain, elucidate, clarify, change, transform, alter, adapt, metamorphosis, transmute, transfigure, relocate, transfer, move, remove, shift. 

transition: change, move, passage, transformation, conversion, adaptation, adjustment, alteration, changeover, metamorphosize; shift, switch, jump, leap, progress, gradate, develop, evolve, transfigure, fluctuate, mutate, transmute

transformation: change, alter, modify, convert, revise, amend, metamorphize, transfigure, evolve, mutate, remodel, reshape, remold, redo, reconstruct, rebuild, recast, reorganization, rearrangement, reordering, reshuffling, restyle, rejig, rework, renew, revamp, renovate, overhaul, remake, revolutionize, transmute

transmutation: the action of changing or the state of being changed into another form, changing one element into another by radioactive decay, nuclear bombardment or similar process, to change in appearance or form, often describes physical change, but can also be used figuratively. 

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The design process applies both deductive and inductive reasoning into a "form of logical inference that seeks the simplest and most likely conclusion from a set of observations". These observations are meant to be particularly symbolic in character while in pursuit of wider interpretation, further purpose and greater meaning. The process creates a more inclusive and comprehensive circumstance by inducing greater creativity opportunity, cohesiveness and coherence between agents and agencies of energy in motion.
 
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"That’s a rich and nuanced description of the design process! It highlights how both deductive and inductive reasoning play crucial roles in arriving at the most effective and innovative solutions. To break it down: 
1. Deductive Reasoning: This involves starting with general principles or theories and applying them to specific cases to draw logical conclusions. In design, this means using established knowledge and frameworks to guide the creation of solutions
2. Inductive Reasoning: This involves observing specific instances or patterns and making generalizations or forming theories based on those observations. In design, it translates to generating ideas and solutions from detailed observations and insights. 
3. Symbolic Observations: These are not just straightforward data points but are imbued with deeper meanings and potential applications. They help in understanding broader implications and purposes beyond the immediate context. 
4. Inclusivity and Coherence: By combining these reasoning methods, the design process encourages a more holistic approach. It aims for solutions that are not only effective but also harmonize various elements and perspectives, fostering creativity and collaboration. 
Overall, this approach makes the design process dynamic and responsive, allowing it to adapt and evolve in complex scenarios."
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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The design process begins and ends with an observer who stands at the center of every observation, and whose primary purpose is to symbolically embody, interpret and respond to a changing environment during the course of observation. 
observation: watching, monitoring, examining, viewing, surveying, thinking, feeling, studying, reflecting, finding, annoting.

The design process is generally based upon abductive reasoning which forms a logical inference that seeks the simplest and most likely conclusion. Design is a symbolic enterprise.
enterprise: undertaking, endeavor, venture, pursuit, exercise, activity, operation, mission, deed, act, action, measure, task, proceeding, plan of action, idea. 
demanding: initiative, resourcefulness, resource, imagination, ingenuity, inventiveness, originality, creativity, cleverness, talent, ability, capability, spirit, enthusiasm, dynamism, leadership, drive, zest, ambition, energy, vigor, vitality, boldness, daring audacity, courage.

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The Decision lab.    by Dan Pilat, Dr. Sekoul Krastev
"Abduction is the process of forming explanatory hypotheses. It is the only logical operation which introduces any new idea ... "
Charles Peirce 1.

“When Peirce introduced the concept of abduction, he envisioned it, alongside deduction and induction, as forming a logical trichotomy—a distinct, three-phase approach to a better understanding of reality. He thought of these processes as the basic building blocks of reason, each being irreducible to another. In other words, he thought of them as totally distinct logical operations. However, not all philosophers agree that abduction is its own, unique type of logical reasoning. Instead, some have argued that abductive arguments can actually be broken down into deductive and inductive reasoning3” 
1. Douven, I. (2017). Peirce on abduction. Stanford Encyclopedia of Philosophy. 
3. Kapitan, T. (1992). Peirce and the autonomy of abductive reasoning. Erkenntnis, 37(1), 1-26. 
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What’s the difference between deductive reasoning and inductive reasoning? 
“Abductive reasoning is a form of logic that starts with an incomplete set of observations and proceeds to the likeliest possible explanation for that data, according to Butte College in Oroville, California. It is based on making and testing hypotheses using the best information available. It often entails making an educated guess after observing a phenomenon for which there is no clear explanation.” 
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The Linear Path
The linear path is deductive in character, and often considered the most simple, comfortable and obvious. The goals and objectives seem relatively apparent, self evident, easily discernible, measurable, detectable and recognizable. However the the linear approach is also somewhat static and modulated into rigid, lock step frames (states and patterns) of concentration and awareness.

"Deductive reasoning contrasts with non-deductive or ampliative reasoning. For ampliative arguments, such as inductive or abductive arguments, the premises offer weaker support to their conclusion: they indicate that it is most likely, but they do not guarantee its truth. They make up for this drawback with their ability to provide genuinely new information (that is, information not already found in the premises), unlike deductive arguments."

Linear methods embrace a very pragmatic approach towards the design process where measure and perception appear only in specific circumstances that rarely repeat themselves.

Deductive reasoning is a cognitive process that involves using general premises to reach a specific conclusion. It's also known as top-down reasoning or deductive logic. Reproducibility issues emerging within fields of research and experimentation both effect and affect, i.e. alter perception, and in turn any information acquired during the process of deductive observation.
 
"A "survey sheds light on the 'crisis' rocking research" refers to a study conducted by the journal Nature, where a large number of researchers reported significant difficulties in reproducing the results of other scientists' experiments, highlighting a widespread issue known as the "replication crisis" within scientific research; essentially, many researchers are unable to replicate the findings of published studies, raising concerns about the reliability of scientific results."

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Design and Creativity 
Design incorporates both a synthetic and hierarchical thought process in combination with a reductionist and analytical one. Design “thinking” is a product of both the mind and the emotions and can best be described as an impression or feeling. 

“With every thought an emotion and every emotion a thought”. Kama Manas 

With every effect an affect.

Abductive methods pave the way for design thinking; analytical thought defines the pieces and synthetic thought links them together. One mindset is reductionist in character the other hierarchical. The common bond between the mind and the emotions is symbolic and multidimensional in character. 
mindset: the established set of attitudes held by someone. 

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By Jennifer King

PARTS vs. WHOLE: 
Reductionism "finds the ultimate meaning of the 'object' not in its inherent qualities but in the parts which compose it and in the lateral relations of those parts"(IV). The whole is equal to the sum of its parts, the significance being that if the whole is the same as the combination of its parts, there is no whole. Only the parts exist. Therefore, one should study the lower level elemental parts as the meaning of the whole instead of regarding the whole as the meaning of its parts. Put simply, "reductionism collapses (or reduces) the higher level of meaning and being into the lower level of elemental parts; when this collapse occurs what is left is not the whole but its parts" (IV) 

The synthetic and hierarchical pattern of thought consolidates and integrates. Instead of reducing the explanation to a lower, more specific level, the whole belongs to a 'higher' level of being and meaning than the 'lower' level parts which it includes" (IV). This higher level includes and accounts for the existence of the lower level, therefore emphasizing mutual dependence. The parts, which cannot exist without the whole, are defined in terms of what lies above them rather than in terms of the elements from which they are constructed IV. IV.  http://smith2.sewanee.edu/gsmith/Texts/Ecology/ OnReductionism.html

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The design process creates and brings into fruition a mindset unique to every observer.

Reductionism might be considered more intellectual and the hierarchical to be more intuitive and imaginative. Design's meaning and purpose - to bring balance and harmony to both processes. 

Design encourages research, creativity, application and progress. 

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The Multidimensional Path
The multidimensional path is quite different, based upon inductive and abductive perceptions and arguments that contain many moving targets, objectives and variables that flow within a turbulent quantum framework of energy in motion (QFVPP) The multidimensional path taken requires extreme awareness and sensitivity to change. 

The multidimensional process requires a highly intuitive, instinctive, sensitive, open, and insightful point of view. The multidimensional path reflects highly upon both inductive and abductive reasoning. It's a matter of awareness.

The multidimensional path requires a high degree of awareness when interpreting every observation. Multidimensional methods touch upon the intangible, invisible, immeasurable, unobservable, unimaginable and the unspoken. 

Multidimensional methods and reasoning strive to metamorphize the inductive method from the abstract and theoretical into the palpable, corporeal and substantial by means of the abductive process. This challenge requires that the observer have a firm knowledge and understanding of the context in which an event or experience is playing itself out. 

Multidimensional thinking, feeling, and reasoning methodologies implement the tools of design, which rely upon the use of signs, symbols, metaphor and analogy. 
metamorphize: transform, change, mutate, transmute, transfigure, convert, alter, vary, modify, remodel, recast, restyle, reconstruct, reorder, reorganize, translate.

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Your description of the multidimensional path emphasizes a complex and nuanced approach to understanding and navigating reality, incorporating various methods of reasoning and perception. To distill this into a more digestible summary:

Multidimensional Path Overview 
**1. Conceptual Foundation: 
• The multidimensional path operates within a framework of energy and change, where variables and objectives are fluid and constantly in motion. 
• It recognizes the importance of both inductive (drawing general conclusions from specific instances) and abductive reasoning (inferring the most likely explanation). 
**2. Perceptual Requirements
• Success in this path demands heightened intuition, sensitivity, and awareness. 
• Observers must be able to grasp and interpret the intangible and abstract aspects of experiences, including those that are invisible or unobservable.
**3. Methodological Approach: 
• The approach involves transforming abstract, theoretical concepts into concrete, substantial insights through abductive reasoning. 
• A deep understanding of the context is crucial for accurate interpretation and application. 
**4. Tools and Techniques
• Design tools such as signs, symbols, metaphor, and analogy are employed to navigate and interpret complex, multidimensional phenomena. 

Key Points of Multidimensional Thinking
Inductive Reasoning: Moves from specific observations to broader generalizations. 
• Abductive Reasoning: Seeks the most plausible explanation for observed phenomena. 
Intuitive Awareness: A heightened state of perception that embraces the unobservable and abstract. 
Transformative Process: Uses abductive methods to make abstract concepts tangible and actionable. 
Design Tools: Utilizes metaphor, analogy, and symbolic representation to aid understanding and navigation. 
This framework advocates a dynamic and flexible approach to understanding complex systems and experiences, focusing on integrating and interpreting diverse forms of information to gain deeper insights. 
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals."

Design consciousness is an exercise in multidimensional thinking and feeling.

Energy is in a perpetual state of transition, changing from one "state" to another.


States of energy in motion function within a multidimensional framework of space and time, a state or agency where space and time can be both linear and non-linear. 


The simple fact is, all that can be observed, known, believed and/or felt, i.e. sensed, is constantly changing. Change describes energy in motion. And in reference to the design process, all forms and patterns of energy in motion both tangible and intangible, are forever changing "in a moment" where time becomes timeless.

Design and the design process is an integral part of the meaning and purpose of the Universe, a position which rests upon the fact that the Universe is always changing.

The concepts of space and time create a theoretical framework meant to observe, interpret, contain and respond to the phenomenon we know and experience as reality. We likewise describe and refer to this reality as consciousness.

Consciousness can only become conscious by means of Design

Design describes the application of a symbolic language required to create, sustain and communicate a broad range of meanings and/or purposes assembled in the Universe. 

The characteristics that separate humanity from all other species is the ability is to intuit, imagine, think and feel purely in terms of what is being represented or implied.



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"To believe is the accept another's truth.
To know is your own creation."
Anonymous
 
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Edited: 09.05.2024, 09.09.2024, 08.11.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note … posts are continually being edited. All rights reserved. Copyright © 2024 C.G. Garant. 




Monday, October 10, 2022

The Quantum Field of Virtual Potential and Probability (QFVPP), Design and Transcendence


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.


What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.

The quantum field of virtual potential and probability is metaphysical in origin and a causal field of all conscious agency. 

The QFVPP is physical in presentation and metaphysical in representation, i.e. Design. The QFVPP embraces the intuitive potential and creative imagination of a conscious observer. AI is merely an abbreviated condensation of the same, composed of a vast array of multidimensional vignettes of light, energy and information. 
vignette: a brief evocative description, or episode, a small illustration or portrait photograph which fades into its background without a definite border, produce in the style of a vignette by softening or shading away the edges of the subject. 

AI is a by-product of humanity’s own designs made evident, i.e. an exercise in storytelling through sign, symbol, metaphor and analogy, each chapter and episode a lesson in meaning and purpose. 


A Hypothesis:
The fabric of the Universe might be described as a quantum field of virtual potential and probability swirling, churning and foaming in change and energy, i.e. an eternal context with no beginning or end. A medium made apparent by means of change and energy in perpetual motion, waves in the form of Light become differentiated by virtue of frequency, categorization and context.

Waves of energy in motion (EIM) arise as result of an attraction and/or repulsion between regions of energy tempered by differences in heat and density, the result of which have been characterized as being electric and/or magnetic in quality. Energy in motion has been described as chi, prana, electromagnetic, light and dark, etc. 



The multiverse is a metaphor for the quantum field of virtual potential and probability.
(QFVPP)

An Analogy:
The quantum field of virtual potential and probability describes an "energy of context and perpetual motion". Likened to clouds floating across a windswept sky, invisible forces appear to attract and repel amongst themselves. Clouds appear, change and disappear within a context unknown yet thought and felt to exist beyond the sky. 

Yet to be realized and invisible, potential vapors of microcosmic energy in motion (EIM) are conveyed within the invisible currents of the atmosphere. Likened to an aggregate of electrically charged particles embedded in the solar wind, vapors give rise and pattern to this awareness in the formation of a specific consciousness. Together they  create contrasts between them. Together they create patterns of light, energy and in-formation, i.e. images, events and experiences to which they individually and collectively contribute. 

When suspended an aerosol ("concept"), when balanced a vapor ("idea"), when condensed (a "form"); virtual in qualification and origin and adept in reflecting upon its source of origin, i.e. (QFVPP) Thinking and feeling within the realm of meaning and purpose.

Based upon a variety of variables every transformation must succumb to effects rendered during transition. Change is never ending and dependent upon the context surrounding every event and experience. 

* * *

University of California, Santa Barbara
How do interparticle interactions impact dynamical localizations?

"The question falls into the category of "many-body" physics, which interrogates the physical properties of a quantum system with multiple interacting parts. While many -body problems have been a matter of research and debate for decades, the complexity of these systems, with quantum behaviors such as superposition and entanglement, leads to multitudes of possibilities, making it impossible to solve through calculation alone."

"Insead of movement, disorder may bring particles to a sort of standstill. And, unlike a classical pendulum, a kicked quantum pendulum or "rotor" might absorb energy from the kicks initially, but after repeated kicks, the system stops absorbing energy and the momentum distribution freezes, in what's known as a dynamic localized state."

University of Innsbruck, Vienna University of Technology
"A positively charged atomic nucleus is surrounded by negatively charged electrons in an electrically neutral atom, which surrounds the atomic nucleus like a cloud. "If you now switch on an external electric field, this charge distribution shifts a little," explains Professor Philipp Haslinger, whose research at the Atominstitut at Vienna University of Technology is supported by the FWFSTART program. "The positive charge is shifted slightly in one direction, the negative charge slightly in the other direction, the atom suddenly has a positive and a negative side, it is polarized." 

Because light is just an electromagnetic field that changes extremely quickly, this polarization effect may also be achieved with laser light. When many atoms are located near one another, the laser light polarizes them all precisely in the same manner, either with positive on the left and negative on the right, or the other way around. Both times, two neighboring atoms move their opposing charges in the direction of one another, creating an attractive force.

Polarizing individual atoms with laser beams is basically nothing new, "says Matthias Sonnleitner, who laid the theoretical foundation for the experiment. "The crucial thing about our experiment, however, is that we have succeeded for the first time in polarizing several atoms together in a controlled way, creating a measurable attractive force between them."

by Dina Genkina, Joint Quantum Institute January 21.2021


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Quantum Nonlocality
 
The state of one observation can be determined by observing the state of its entangled pair, i.e. complementary “opposite” This phenomenon emerges as a quantum field of virtual potential and probability regardless of distance. This simple fact implies that the universe is a metaphor designed to use analogy, signs and symbols through a process of both introspection and observation. 

The Universe is a symbolic representation and manifestation of an Absolute Unity made apparent by means of its own recognition, i.e. observation. A form of “identity” emerges by means of a design (process) focused on becoming self-aware and apparent by virtue of its own contextual presence. And it is from within the parameters of these patterned blueprints, i.e. identities, that awareness is made conscious. 

Conscious awareness is compartmentalized in all things felt. Awareness is a derivative of Consciousness, one might call it a spin-off. 

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This writing delves into some deep concepts, blending ideas from quantum physics, philosophy, and metaphysics. Here's a breakdown of what it's conveying in simpler terms: 

1. Quantum Entanglement and Observation 
• "The state of one observation can be determined by observing the state of its entangled pair, i.e. complementary 'opposite'": This is referencing quantum entanglement. In quantum physics, entangled particles are connected in such a way that the state of one particle instantly determines the state of the other, no matter how far apart they are. So, by observing one particle, you can know something about the other. 
• "This phenomenon emerges as a quantum field of virtual potential and probability regardless of distance": This suggests that the quantum connection between entangled particles exists in a field of potential outcomes or probabilities, not definite states. And, this relationship transcends space—distance doesn't limit it. 
2. The Universe as a Symbolic Metaphor 
• "This simple fact implies that the universe is a metaphor designed to use analogy, signs and symbols through a process of both introspection and observation": The writer suggests that the universe itself functions like a symbol—a metaphor—used to represent deeper truths. Our understanding of the universe, through introspection (looking inward) and observation (looking outward), is framed by signs and symbols, much like how a metaphor works. 
• "The Universe is a symbolic representation and manifestation of an Absolute Unity made apparent by means of its own recognition, i.e. observation": Here, the idea is that the universe is a manifestation of a deeper, unified reality (the "Absolute Unity"), which becomes apparent through observation. The universe, by being observed, recognizes itself—almost as if it’s becoming aware of its own existence. 
3. Self-Awareness and Identity 
• "A form of 'identity' emerges by means of a design (process) focused on becoming self-aware and apparent by virtue of its own contextual presence": Identity in the universe (and perhaps in individuals or consciousness) comes into being through a process designed to recognize itself. It’s like a system that's evolving toward self-awareness through its own presence and context. 
• "And it is from within the parameters of these patterned blueprints, i.e. identities, that awareness is made conscious": Awareness emerges from the structures or patterns of these identities. The "blueprints" refer to the underlying designs or rules that form identities (whether of individuals, concepts, or the universe itself), and through them, awareness becomes conscious—meaning, we become aware of our own existence. 
4. Conscious Awareness and Its Nature 
• "Conscious awareness is compartmentalized in all things felt. Awareness is a derivative of Consciousness, one might call it a spin-off.": Conscious awareness exists within everything that can "feel" or perceive. Awareness is a product of the larger, more fundamental consciousness, almost like a byproduct or a "spin-off." This means that awareness, in this context, arises as a specific expression of a deeper, all-encompassing consciousness. 
In Summary: This piece is suggesting that the universe, through quantum entanglement and observation, is a system of symbolic relationships designed to become self-aware. The universe and consciousness itself are evolving through patterns or "blueprints," and awareness arises from these patterns as a conscious recognition of identity. Ultimately, awareness is seen as a derivative of consciousness, a smaller expression of a greater, universal consciousness. 

It combines ideas from quantum physics with metaphysical philosophy, suggesting that reality is not just something we observe, but something we help bring into awareness through our observation and introspection. 

* * *

Change/energy forms at its most appropriate level while embraced within the context of the event or experience (context of emergence). It is where formlessness begets its "form" within the context (framework) of observation. Structural patterns and imaginings appear and disappear as they actively transform between the known and the unknown, the felt and the unfelt. Change is symbolic, creating the link between states of conscious awareness. Design is the mark of change.

Like the images we create for ourselves by virtue of our imagination, clouds are forever emerging and disappearing, changing within the conditions that surround them. Ideas are born and meant to be free and untethered as they ride upon the waves of the intuitive imagination. It's the intention/attention of an observer that gives symbolic reference and relevance to any concept or idea - a matter of coherent resonance.  

The QFVPP describes a design Presence before Consciousness by means and virtue of its own awareness. Forms of energy in motion (EIM) reflect upon the very factors in which they are perceived and/or observed. Forms contain the reflections of a design created in conjunction with an intuitive imagination.

* * *

This passage seems to delve into concepts of consciousness, perception, and how reality itself may be shaped and experienced through energy, thought, and imagination. Here’s a breakdown of key ideas: 
1. Context of Emergence: The "context of emergence" refers to the idea that things take form in the right conditions, much like a seed growing into a plant when it’s in the right environment. Change, energy, and ideas don’t just happen randomly; they emerge based on the surrounding conditions (the "event or experience"). 
2. Formlessness to Form: The passage suggests that formless energy or concepts (like raw potential or ideas) become "form" only when they are observed. The act of observation or attention gives them shape, meaning, and relevance. 
3. Change as Symbolic: The idea of change being symbolic means that the shifting patterns of energy or ideas create connections between different states of awareness—whether these states are conscious, subconscious, known, or unknown. Change is not random but meaningful, often guiding us between these states of awareness. 
4. The Role of the Observer: Just as clouds change shape based on environmental factors, ideas or concepts change depending on the observer's attention and intention. The observer plays a crucial role in assigning meaning and relevance to the idea, much like how waves shape clouds. 
5. Energy Forms and Intuition: The passage describes how "energy forms in motion" (EIM) are reflections of a deeper design that is connected to intuition or imagination. Essentially, everything we observe is part of a greater, intuitive creative process. 
6. The Quantum Field: The idea that we live in a "quantum field of virtual potential and probability" suggests that everything is in flux, and what we perceive as reality is only one possibility in a sea of potentialities. The quantum field represents an underlying, symbolic consciousness that influences how things take shape in our experience. 
7. Consciousness and Reality: Ultimately, reality as we experience it is a design process unfolding within consciousness itself. Consciousness doesn’t just observe—it shapes and creates the very experiences we have. What we think of as “real” is actually a process of design within consciousness, created by our thoughts, emotions, and perceptions. 

In simpler terms, the passage suggests that reality, as we perceive it, is a process unfolding through our awareness. Everything we experience is influenced by the observer (us), and change happens when energy and ideas are observed, taking shape in ways that are meaningful within the context of that observation. Reality itself is symbolic, and consciousness is the source from which everything we experience emerges.

* * *

"What is it that emerges from this ultimate ground, the "unknown totality of the universal flux?" It is the extension of the Implicate order into a multidimensional reality. It is the interplay between the implicate and explicate orders. It is the flow of matter, manifested and interdependent, towards consciousness."

"The theory of the Implicate Order contains an ultraholistic cosmic view: it connects everything with everything else. In principle, any individual element could reveal "detailed information about every other element in the universe." The central underlying theme of Bohm's theory is the "unbroken wholeness of the totality of existence as an undivided flowing movement without borders."

Design is the bridge between the implicate and explicate order.

"Knowing is all that you know of experience. Consciousness is all that is ever known."
Rupert Spira

"There is a truth, an actuality, a being beyond what can be grasped in thought, and this is intelligence, the sacred, the holy."
David Bohm

The QFVPP appears to be all pervasive until sensed and measured. All "forms" of matter, substance, photons, particles, plasma, aether, etc. are impermanent, fleeting, transient, transitory and ephemeral. What is sensed and measured is not the actual QFVPP but merely its impression, i.e. feeling, presented in the form of symbolic representation (ideas) designed and created in reference to a particular circumstance (context).


* * *
Hypothetical Models



The comprehensive splitting of Oneness into a duality is essential and intrinsic to the design/creative process. Events and experiences emerge and made apparent/aware/conscious by means of the interaction of two or more resonating re-sources.



Design describes a patterned system of energy in motion (EIM) as a never ending process of attraction and repulsion, kama - manas, meaning and purpose. All links are symbolic in awareness. All links exist simultaneously both in potential and probability. All links emerge in reference to context and evolve in becoming realized within the parameters of spacetime. Design is symbolic in character and expression.

The Earth planet represents one design among billions throughout the galaxy and universe. The Earth describes a form of unity in and of consciousness, i.e an agent, participating in even greater networks of awareness.



Glowing particles data and wire mesh network

The QFVPP describes an ocean of consciousness consisting of a inumerable forces in the form of currents, undercurrents and crosscurrents of awareness.

* * *

TRANSCENDENCE



Transcendency proposes there being a state or dimension, where all impressions tangible and intangible become purely symbolic. Design consciousness is an individualized process of discovery and experience. Every moment harbors the potential and the probability (PP) of bringing enlightenment in deciding the next step along the way. Each moment is a moment filled with meaning and purpose, i.e. kama manas "With every thought an emotion and every emotion a thought."

Transcendency is not a place or thing, it simply reveals the relevance of another language and system designed and created beyond your present knowing.

Transcendance reflects upon its own self recognition by virtue of both knowing and feeling, aka understanding.
* * *

Levels of Transcendence: Symbolic Flexibility and Adaptation
Ride the thermals of conscious awareness by rising to the occasion whenever and wherever it leads you. Multidimensional in context you will be naturally drawn to an adjacent field of potential and probability (QFVPP). Become aware of the symbolic content and context that embraces you - be aware of its constraints, language and parameters. Remain strategically distanced from its source.

The Seven Year Cycles on the Tree of Life

* * *
Observe where you are and where you've been, seeing it for what it is and knowing that by choice, you may return any time. You cannot fly forever but must rest in order to return - in balance. 

Knowledge feels it knows about consciousness in all that it believes it knows. 

That which you know and feel heals you. That which you don't know invites imbalance.

Change might best be described as rejuvenation. 

Observing yourself creates the reality in which you live and have your being.


 What if Reality was One?


By design, consciousness can appear irrational merely by not knowing it.

* * *

Awareness is a dimensional issue. Third and fourth dimensional experiences flutter and change in the turbulence of a transcendental spacetime. Expansion is a matter of focusing upon the most appropriate context meant for observation at and for the moment.
Escape, however, is also at the ready - if desired. Look deeply for the signs and symbols needed to be brought forward and into awareness. 

* * *

* * *

All signs of transcendence bring change. Transition and transformation bring signs of greater knowing and feeling.


All forms of Consciousness are eternally changing yet remain the same.

Design represents an "electric" impression, a current of change/energy (CE) about which turbulence arises. Heat sourced from friction eventually cools in attendance and in the waning glow of individualization becomes attracted into patterns of coherent resonance. Forms responding to this ever changing context of CE and emerge, linked in response to a greater wholeness. 

The notion of "I" can be lost in the veil of meaning and purpose, thinking and feeling.
 
Change/energy becomes "substantiated" by means of its own awareness, i.e. reflection. 

The concept of "matter" is the imagination imagining itself by means of reflection.  

Design maintains balance through the creative process.

Humanity becomes polarized by both mentally and emotionally projecting its imagination upon an unknown and ever changing background (QFVPP). It's quite an electric journey having many magnetic consequences.

Meaning and purpose, yin and yang, design and consciousness all engage in a perpetual pursuit of balance within a context of irrational proportion, aka linear time and three dimensional space. 

* * *



* * *

The true nature of creation is design. The true nature of design is hidden behind the veil of meaning and purpose.




They couldn't help themselves in knowing that it wasn't real, even after measuring what they observed they still didn't know any better. 

Knowing (purpose) and feeling (meaning) are finite subjects that exist in an experience designed to be made aware, conscious and apparent through the creative process. 

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Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype Consciousness is the concomitent consequence associated with a range of multidimensional patterns of energy whose origin rests beyond the subconscious.

Awareness brings forward a "sense of consciousness" by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt    (12.10.2022)

Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)

What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective, global and soular balance and harmony. (09.01.2022)

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In reference to Design and Design Consciousness, the quantum field of virtual potential and probability (QFVPP) might best be described as a mutable and malleable photonic aether. At much denser levels of observation such aethers will appear as a field of vibrating and at times oscillating, electro-magnetic plasma. 

As such, the concept of Light is abstract, relative and yet the “substance” in which dimensions are hewn, constructed, formed and made relatively manifest (holographic). A designer must be wise, accomplished and well skilled in the tools she/he has symbolically created in desire to bring one’s dream to fruition.

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"To believe is to accept another's truth.
To know is your own creation."
Anonymous

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The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role as observer, participator and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.

Edited: 10.02.2022, 10.08.2022, 10.10.2022, 10.14.2022, 10.20.2022, 10.26.2022, 11.27.2022, 12.14.2022, 01.06.2023, 02.11.2023, 02.14.2023, 02.26.2023, 04.22.2023, 06.11.2023, 09.12.2023, 02.01.2024, 04.24.2024, 04.26.2024, 02.04.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL is included as the resource and shared on a non-commercial, no charge basis. Please note ... posts are continually being edited. Copyright © 2023 C.G. Garant. All rights reserved (fair use notice).