"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.
The moebius strip provides symbolic reference to a continuity of consciousness.
Design is the process of characterizing all forms awareness harvested, contained and expanded by means of experience.
introspectiontheexamination or observation of one's own mental and emotional processes:quiet introspectioncanbeextremelyvaluable.thefirst lady's book is heavy on photos and light on introspection:self-analysis,self examination,soul-searching,introversion,self observation;contemplation,meditation,thoughtfulness,thought,pensiveness,reflection,rumi nation;informalnavel gazing;formalcogitation.
extraspection
"Even if so, it’s a remarkably useless word. “Extraspection” — as Joachim Pense rightly fixes the word — is the default condition in which the perceiving subject finds itself: it is the mind experiencing the outside world, as conditioned by the limitations of our particular sensory apparatus and cognitive faculties. Introspection — pulling away from phenomenal experience of exteriors to excogitate upon them in memory and subject them, and our responses to them, to analysis, is not the default setting. Everyone is extraspective — indeed, every sentient being is extraspective, including the lowliest insect. Not everyone is introspective. Some people go from cradle to grave hardly knowing themselves. This is why we have a word for that process by which inward, self-interrogating persons seek self-knowledge and self-understanding."
All of "that which make things possible" has a meaning and a purpose and is therefore made conscious by virtue of its own design. Consciousness is that upon which concepts, ideas and experiences surface and are made possible.
continuitynoun(pluralcontinuities)1the unbroken and consistent existence or operation of something over a period of time:pension rights accruing through continuity of employment.•a state of stability and the absence of disruption:they have provided the country with a measure of continuity.•(oftencontinuity between/with)a connection or line of development with no sharp breaks:they used the same style of masonry to provide continuity between new and old.2the maintenance of continuous action and self-consistent detail in the various scenes of a movie or broadcast:[asmodifier]:a continuity error.•the linking of broadcast items by a spoken commentary. continuousness,uninterruptedness,flow,progression.
The concept of continuity is founded upon a linear thought process and integral to multidimensional thinking and feeling. Multidimensionality might likewise be considered linear due to inferences surrounding the "idea" there are connections between "states" of energy in motion (EIM).
Consciousness is change/energy in motion (CEIM). Any perception or observation will appear motionless in the moment. Any point in time can be framed within the "flowing constraints of the time" while being viewed simultaneously from a different perspective (POV). For that instant continuity becomes motionless and time timeless.
Pure consciousness can best be described as a Presence. Awareness makes consciousness conscionable. Consciousness is made apparent by means of awareness.
Bridging the difference between differences is consciousness being changed, i.e. designed, by means of its own awareness.
Awareness is continuous and separated by time and space. Awareness like change energy (CE), is constant.
Consciousness is known by virtue of its own knowing. An awareness of consciousness makes one consciousnessly aware. Consciousness harbors a quantum field of virtual potential and probability (QFVPP) within every pattern of awareness.
"Consciousness means awareness of otherness."
R. Buckminster Fuller
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"All that I know of thought is thinking and all that I know of thinking is the knowing of it. All that I know of feelings is feeling and all that I know of feeling is the knowing of it."
All that I know of design is designing and all that I know of designing is the knowing of it. Design consciousness in the form of experience, harnesses a knowing that goes beyond believing.
* * *
Design is change. Design is a process. Design is symbolic. Design can be described as a process and an outcome of that process. Design is equivalent and identifiable. Design like consciousness is described by means of its own diversity. Design is multidimensional and paradoxical. Design describes change by means of an energy in motion. Design describes an exercise in intention, focus and creation.
Fixed energy describes change/energy in a symbolic and formative "state" or framework. A state of change/energy is made apparent by means of perception, observation and/or participation.
All of Life is about expression. We observe our experiences thru lenses tinted with virtue (meaning) and framed in duality (purpose), each individually and jointly impacting how we perceive ourselves and others. What we observer as Life is an expression of energy in motion, i.e. change/energy. Every experience harbors its own focus and intent, which in turn affects our physical, emotional, mental and spiritual imagination. By focusing upon joy, peace, harmony and beauty it will be attracted to you.
The concept of unity describes a single network of micro entanglements, i.e. an energy in motion that immediately colesces upon observation. Unity narrates an ever changing configuration of changing energy into a symbolically coherent resonance.
Design begins as a seed, a single multidimensional intention veiled in symbolic content and context. You become aware of your own being "at the source" of your own creation, i.e. the observer of a virtual reality of your own making.
Design's beginnings emerge out of a virtual field, a formless "quantum space" of change, energy, potential and probability. (QFVPP).
* * *
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
* * *
Change is the expression of an Eternal energy having been coded, contained, indexed and categorized within the context of a single reality. Change follows the energy that defines and describes it. Reality is timeless, codified and designed to change in every moment. There is no past or future in this transitional and transformative "space" only change and energy can describe it.
Awareness brings forward a "sense of consciousness" by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measure and/or felt. (12.10. 2022)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principle of meaning and purpose both felt and understood. (01.13.2023)
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Your hypothesis presents a richly layered and metaphysical view of consciousness and design. Here's a breakdown of your key points and some reflections:
Key Points:
1. Consciousness as an Archetype:
Consciousness is described as conceptual, illusional, symbolic, metaphoric, and virtual. It’s the fundamental archetype associated with complex patterns of energy.
This suggests that consciousness transcends the subconscious and is intricately linked to multidimensional patterns beyond ordinary perception.
2. Awareness and Consciousness:
Awareness is portrayed as a mechanism that brings forth a “sense of consciousness” by aligning meaning and purpose.
This implies that awareness is crucial for the realization and articulation of consciousness, serving as a bridge between abstract concepts and tangible experiences.
3. Design as a Metaphysical Process:
Design is characterized as a metaphysical and multidimensional process reliant on various cognitive and intuitive faculties.
It’s seen as a dynamic network of energy in motion, creating connections across different states and dimensions.
The process of design involves creating a virtual lattice that integrates consciousness, subconscious, and unconscious realms, as well as the known and unknown.
4. Role of a Designer:
Designers are portrayed as individuals who harmonize their skills and knowledge with love and integrity to achieve balance and harmony on personal, collective, and global levels.
This emphasizes the ethical and holistic aspects of design, highlighting the importance of alignment with oneself and others.
Reflections:
• Metaphysical Perspective:
Your description places design and consciousness within a metaphysical framework, suggesting that they are not just physical or empirical phenomena but involve deeper, symbolic, and energetic dimensions.
• Integration of Awareness and Design:
The idea that design is an act of creating a network of energy in motion aligns with the view that consciousness and awareness are deeply intertwined with the process of design. This could imply that design is not merely a practical endeavor but also a profound act of aligning and harmonizing various forms of energy.
• Ethical Considerations: The definition of a designer as someone who works with love and integrity suggests a strong ethical dimension to design. This aligns with broader discussions on the role of ethics in creative and professional practices.
• Theoretical and Practical Implications:
The theoretical framework you present could have implications for practical design methodologies, suggesting that design involves more than just technical skills and should consider the metaphysical and symbolic aspects of the process.
Overall, your hypothesis proposes a deeply philosophical and integrative view of consciousness and design, suggesting that both are interconnected and involve a blend of conceptual, symbolic, and energetic dimensions. This perspective invites exploration into how design can be understood and practiced beyond conventional boundaries, integrating metaphysical and ethical considerations into the process.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Find you truth. Know your mind. Follow your heart. Love Eternal will not be Denied, Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://sagariandesignnetwork.blogspot.com is included as the resource and shared on a non-commercial no charge basis. Please note ... posts are continually being edited. Copyright 2006-2023. All rights reserved.(Fair use notice)
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
THE CONCEPT OF CHANGE/ENERGY
Energy in motion is a broad description of the design "process". Energy in motion describes both energy and change. The design process however, can be best described as a "symbolic process of transformation and transmutation". The design process reveals how change and energy symbolically complement each other within the context of a dualistic universe.
Energy = Particle
Change = Wave
The universe is part and parcel of a symbolic process designed in and out of time and dimension.
CE is critical in understanding, creating and adapting to all blueprints, plans, programs or contexts in the process of being observed and/or experienced.
CE is fundamental to understanding and facilitating the concept of consciousness by means of design.
C/E might be described as creating a portal between states/fields (S/F) of the unconscious, subconscious and consciousness. C/E accommodates the flow of an energy/vibration (E/V) in the form of a frequency felt only by means of perception and observation (PO), i.e. conscious awareness (CA).
The perceiver becomes aware and the observer made conscious through the use and application of symbols and metaphor. Together they describe a designer's tools by clearing a designed path.
CE infers there is a veil between physics and metaphysics yet is integral to the expression of the QFVP. Spaceless space and timeless time create the context required to know, observe and experience the silent purity behind the concept of "spirit". The journey to know this peace and freedom is by virtue of design and discernment.
CE creates the portal between opposites by means of the same process that describes it, i.e. symbol/metaphor, meaning and purpose.
CE goes beyond the constraints of quantum mechanics by guiding awareness in an intimate manner towards knowledge, understanding and greater consciousness. CE by design leads to wisdom.
CE is a metaphor designed to describe a "state in perpetual motion and transformation".
CE brings focus to the metaphysical dynamic between time and timelessness, which in itself defines pure balance and harmony.
CE cannot be fully "measured" due to the wide multitude of perspectives and languages engaged in the process of symbolic translation. A variety of POV focusing upon a commonly shared event or experience creates a symbolic "situation" between the seen and the unseen, the known and the unknown, the perceiver and the observer. There are as many interpretations as there are perceivers and observers, each swayed by the impulse of feeling.
CE can be measured linearly, three dimensionally and conceptually by means of a language designed to be apparent, accessible and known only to its author/creator. All languages are designed and based upon symbol and metaphor.
CE requires a symbolic language of its own.
CE can be intuitively felt, imagined and understood within a commonly shared design language of symbol and metaphor. This is a language made easily accessible and self apparent through observation.
CE describes a state of consciousness that is known only to itself by itself.
CE attracts unity of opposing forces made apparent within the parameters of the present.
CE is key to transformation and transmutation and is understood as being equal to itself.
CE equalizes all forces and impulses of energy and change at certain points of discernment (timelessness). CE appears in multidimensional patterns, matrix and networks in complementary opposition of each other.
Design rarely needs to take a linear path. Linearity is a metaphysical concept made necessary and appropriate for designing within the dimension of 3D space/time. Consciousness' purpose is to enter dimensions unknown by means of a presence made knowable in the present.
CE is experienced as a point of awareness just approaching the pinnacle of a designed consciousness.
CE defines the present as a "position" of awareness balanced between the consciousness of the past and the future.
There are no such things as forms, objects, space and time, only circumstances, situations and contexts designed for conscious and symbolic projection and interference.
Design consciousness conceives, interprets and creates all "forms" of change/energy between context and content, the observer the observed.
Change and energy are one in the same. They merely change as result of the perceiver/observer point of view.
Design creates a utilitarian link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
HYPOTHETICAL ORIGINS
All is vibration, waves of energy in motion (EIM) become qualified by means of frequency generated "from a within a context outside itself" (ref: Higgs Field). Each frequency become measurable both as a particle and a wave.
Waves of energy in motion flow and cross creating patterns of interference while simultaneously taking on the appearance of a "field of energy" (FOE). Under certain circumstances this "state" of energy in motion can be sensed when observed in this measurable moment. Energy in motion is the resource of change by both qualifying and quantifying the Original "perennial constant" (PC).
When waves of energy in motion interfere their crests become sensed and measurable as their troughs reach deep into the unknown source, i.e. the unconscious. The universe exhibits a Design Process that is dualistic in nature and character.
perennial|pəˈrenēəl|adjective lasting or existingforalongorapparentlyinfinitetime; enduring or continually recurring:his perennialdistrustofthe media|perennialmanifestations of urban crisis.•(of a plant) living forseveralyears:tarragonisperennial.Compare withannual,biennial. •[attributive](of a person)apparentlypermanentlyengagedinaspecifiedrole or way of life:he's a perennial student.•(of a stream or spring) flowing throughouttheyear.
* * * All observations and perceptions of reality are symbolic in character. Design is at the center of the creative process (0), change energy (< >, > <) is design's primary attribute.
primary|ˈprīˌmerē,ˈprīm(ə)rē|adjective1of chiefimportance;principal:the government'sprimary aim is to see significant reductions in unemployment.2earliest in time or order ofdevelopment:the primarystageof their political education.3not derived from, caused by, or basedonanything else:theresearchinvolved the use of primary sourcematerialsin national and local archives.•Biology&Medicinebelonging to or directlyderivedfrom the first stage of development or growth:a primary bone tumor.
Design can be implied, inferred, observed, communicated, "measured" and translated by means of the following symbolic expressions: 0, (< >) or (> <) with "0" signifying the center, the zero point, the source, the origin, the cause, the event horizon. Example: (>0<) = yin energy, (<0>) = yang energy.
The symbols (< >) and (> <) signify what is observable, perceivable, defined, described, measured or implemented as "energy in motion" (EIM) and is generally linear content, form, translation and context. EIM can be both attractive and repulsive. EIM links all energy together into a whole while simultaneously embracing it (0).
By virtue of design the realm of opposites, i.e. duality and three dimensional space/time, can be observed, interpreted, transformed and translated to be in the same. Unity (0) symbolizes one attribute of design and CE (< >), (> <) the other, together each bring symbolic recognition and balance to the consciousness of the observer/designer. [(<>) + (><) = 0].
The QFVP is multidimensional in content and context therefore not all design events or experiences are sensed, experienced or made conscionable.
Unity appears to be born from within a multidimensional context currently observed within the parameters of 3D spacetime and symbolically represented in the form of a quantum field of virtual potential (QFVP).
Design (0) is conceptual, change<>energy (-) linear. Balance (>0<) is found in timeless space symbolizes to the point<0>source.
Design is a metaphor for change<>energy, and change<>energy a metaphor for Design.
Design like consciousness have a conceptual (0) origin. The dispersion (< >) of that original concept is origin/source/wholeness/unit/field/systemless system appears to be born/emerge/surface from within it.
All that is perceived and/or observed stemming from this wholeness (0) emerge and become dispersed (<>). Dispersion qualifies and disqualifies, i.e. a projection appearing both visible and invisible, a nothingness central to everything, an affect supporting every effect.
dispersion|diˈspərZHən,diˈspərSHən|noun theactionor process of distributing things orpeopleover a wide area:some seeds rely on birdsfordispersion.•thestate of being dispersedovera wide area:the generaldispersion of Hellenistic culture.•Ecologythe pattern of distributionofindividuals within ahabitat.•(alsothe Dispersion)another term fordiaspora. •a mixture of one substance dispersed inanothermedium.•Physicsthe separation of white light into colors, or the separation of any radiation according to wavelength.•Statisticsthe extent to which values of a variabledifferfrom a fixedvaluesuch asthe mean.
<0> symbolizes the oscillation between elements. Each born of a common source<0>zero point. Also described as change<0>energy.
All things appear as fields of change/energy (CE) in perpetual transition and reconfiguration.
Forms are programmed within the context of a virtual field of potential, i.e. change<0>energy (CE), where a line describes a point or network of points, in transition<0>transformation (TT). These points in (TT) describe EIM in the relative forms of a vector, an expanding and contracting (EC) agent in tension/compression (TC).
A point of CE is the fundamental component of all forms of EIM. A point (.) describes the fundamental agent/component in every observation and perception of energy, light and information. The relationship between the point and the line is symbolized (designed) into every form, i.e. sign, letter, word and syntax. All is vibration (V). All is change<0>energy in the process of transition<0> transformation (TT).
The lines describe the path its points the times of (TT). become lines while transforming themselves at every cyclic transition. These formative positions can be described as an event made apparent (aware) in times of timelessness (0), i.e. balance.
(TT) describes an event<0>experience (EE) made consciously aware within a virtual and/or formative moment, i.e. an instant. This instant marks a point of awareness (PA) within a cyclical path of EIM where they become both formless and timeless.
Certain points<>lines of CE transform themselves upon every cyclic transition.
* * *
CONCEPTUAL ITERATIONS
it·er·a·tion|ˌidəˈrāSH(ə)n|nounthe repetition of a process or utterance:what is the use of this constant iteration of the same things?•repetition of a mathematical or computational procedure applied to the result of a previous application, typically as a means of obtaining successively closerapproximationsto the solution of a problem:the equation can only be solved through iteration|this process usually requires at least two levels of computationaliteration.•anewversionof a piece of computer hardware or software:the app is now in itstenthiteration.
What appears as change describes a systemic shift of energy in a QFVPP that causes perceivable turbulence within its own context. The source of this "shift" is the result of a creative dynamic within.
* * *
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation(design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
"We've discovered a new quantum state of matter," Cao said. "It's quantum transition is almost like ice melting into water."
"You have to violate all the conventional conditions to achieve this change," Cao said.
"That disorder can cause "traffic jams" for electrons traveling in the material, Cao said, increasing the resistance and making the honeycomb an insulator. As Cao put it: "Electrons like order."
"He noted that in most materials, the switch of the honeycomb from one electronic state to another happens almost instantaneously, or in the span of a trillionths of a second. But in his honeycomb, that transformation can take seconds or even longer to occur."
Cao suspects the entire structure of the honeycomb begins to morph, with the bonds between atoms breaking and reforming in new patterns. That kind of reordering takes an unusually long time, he noted - a bit like what happens when ice melts into water."
* * *
* * *
Design creates the link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy whose origin rests beyond the subconscious.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and felt.(07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood.(01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and beliefs with love and integrity - the goal: personal, collective and global/planetary balance and harmony.(02.13.2022)