"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
When focused and aware imperfection leads to perfection, separation to cohesiveness and imbalance to harmony.
REPRESENTATIVE AGENCY
In reference to the concept of representative agency, the turbulence between agents is at such a frequency as to create an intangible yet finite froth of energy in motion. This intangible veil has been labeled and described to be an aetheric or plasmic mist, invisible until found dense enough for observation and measurement.
This aetheric mist (QFVPP) sets the background, i.e. contexts, circumstances and situations for the perpetuation of holographic and eternal entanglement. Our universe is dependent upon the choices and consequences resulting from this dualistic framework.
Progress towards greater knowledge or understanding in this regard is dependent upon technology, intense focus and greater awareness/consciousness, all of which is brought into balance in every design situation encountered.
The quantum field of virtual potential and probability (QFVPP) is both finite and infinite, measurable and immeasurable, a vista beyond all sense of imagination.
Observation describes a particular form of perspective and/or point of view. In 3D spacetime every perspective includes both a foreground and a background. This "context" has been defined as three dimensional space and time based upon the experience, perspective, observation and the power of the imagination.
Note: events and experiences in three dimensional space are embraced within the context of time, i.e. the fourth dimension. Together they create a dualistic framework for all forms and methods of perception, observation and interpretation.
We perceive and observe our concept of reality from a position (point) central within a dualistic framework defined as spacetime. It is from this same focal point we view all we sense, think and feel around and inside us. These "points of view" take on many different perspectives and contexts.
Every observation implies that there's a perceiver. A perceiver describes the central position about which all observations are made.
Events and experiences can be artificially perceived but not fully observed until symbolically interpreted. AI has no meaning or purpose unless some form of intelligence (opinion, fact, knowledge, understanding, wisdom) enters to create a designed loop, i.e. input/output. AI has no power unless it is made available, imparted, furnished, bestowed, rendered, given or provided. Consciousness by virtue of awareness, will always be an overseer whether perceived or observed.
perceive:to become aware or conscious of (something) come to realize or understand, to look at something in a particular wayby using one of the senses especially that of sight, discern, recognize, become cognizant, to know, distinguish, understand, identify, appreciate, realize, ascertain, intuit, observe, assess. appraise, to think
observer: person who watches or notices something, follows closely, a participant,a witness, an onlooker, notices, discerns, detects, discovers, distinguishes, to see, contemplate, survey, scrutinize, survey, monitor, perceive,
There is a natural overlap and symbolic link between perceiving and observing any event or experience. Events and experiences are constantly being "weighed" at their most intangible, subtle and aetheric levels of awareness, i.e. energy in motion, always changing in moments of time and in frames of space.
Perceptions and observations can be artificially sensed, known, learned, discovered, understood and felt. Perception and observation can both document and be documented. Perceptions and observations are interpretive in nature and evaluate what is being thought and felt.
Perceptions and observations are dependent upon signs and symbols that together usher in a meaning and a purpose.
It is important to witness (observe) an event or experience, awareness is rooted in every space and space. Every perception and observation is a symbolic one, a point of awareness that consciousness cannot escape.
To be a designer you must be more than an observer.
"AI (artificial intelligence) tools don't expose their knobs and levers. Their interaction model is "magic" but that only means that the real controls have been taken away.
Positing that these tools are, or can be, drop-in-replacements for artists, designers, or musicians is absurd; they fundamentally cannot understand the brief. There is no true intelligence there, we'll never receive an explanation for why certain creative choices were made and not others (as AI is not making choices at all). We are massively overfitting to fast and cheap at the expense of good.
The decisions (product) have already been made: it's inevitable that our tools will become saturated with AI-style intelligence, for better or worse. We're charging ahead knowing that AI tools suffer from inherent biases and unsurprising moral failures."
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design), The QFVPP is characterized by the relative "form" of a particle, wave and/or force, i.e. impression.
Projections of self cannot escape the parametric bubble that contains the symbolic field of its own creation, i.e. reality.
Projections of energy in motion (CE) resonate from within only to return to their source in the form of symbolic reflections of its own design.
The imagination embraces the potential to expand beyond constraint, condition and/or limitation. Design is the language that allows it to do so.
Spacetime is conceptual in nature and can be categorized into a context of one's own liking. The higher the contextual frequency the lesser its density, the lower the contextual density the closer to pattern, form, and substantiation. Low frequencies hover around matter, higher frequencies challenge the subconscious to caress a time that moves timelessly.
The Universe can be conveyed both as energy and change. Change/energy takes the form of an energy in motion and moves in an omnidirectional and unpredictable manner. Change/energy is synonymous with Light and be perceived, observed and measured both in the "form" of a particle and wave. Within this context, i.e. Universe, formations emerge consubstantially as "fields of aetheric energy in motion" that attract, repel and deconstruct within the parameters of time.
Change/Energy (CE) draws reference to the symbolic qualities of an unknown aetheric source both in an inductive and deductive manner.
Change/Energy encapsulates the tangible and intangible dynamics that surround every event and experience.
Change/Energy can be simultaneously perceived and interpreted in a symbolic and concurrent fashion.
Change/Energy defines the moment by revealing the dynamics between the observer and the context in which an event or experience appears. All forms of revelation are symbolic in character and quality.
Energy in motion (EIM) describes a quantum (aetheric) field of virtual potential and probability (QFVPP) that is essential in qualifying and quantifying its properties in the form of change (wave) and energy (particle).Change/Energy describes a moment in three dimensional space and dimensionless time by means of observation and awareness, i.e. a designed consciousness.
When measured, the concept of change/energy gives precedence to only what is perceived and observed. Consequently, change/energy can become widely categorized within the dualistic framework of spacetime.
Design symbolically describes the translation and transformation of change/energy, i.e. (EIM), from one "state" of constant change to another.
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The Universe implies multidimensionality. The Universe is categorized by means of design, i.e. concepts, ideas and creations made symbolically apparent by virtue of observation. A dualistic framework "materializes" as result of the symbolic relationship between the concepts of space and time, Yin and Yang
space = Yin
time = Yang
energy = Yin
change = Yang
" Universe is thus the total web spun by all generalized principles and their interaction. As rules without exception, they are necessarily "interaaccommodative." Fuller's terminology takes some getting used to: "eternally regenerative Universe" is an ongoing even governed by "the omni-interaccommodative complex of unique and eternal generalized principles,"
Consciousness interprets what is being sensed by means of focus, intent and desire. Design symbolically translates and transforms what is "sensed" by means of focus, intent and desire. Creativity substantiates the design process.
Spacetime frames the concept of consciousness as energy and change in motion.
Wholeness brings unity to its own diversity.
In context, change sustains the stream of Life in the form of an energy in motion triggering its own form of turbulence wherever it goes. Turbulence instant in effect and sweeping in affect.
The subconscious can be found by means of the imagination where all senses mix, and feelings (by virtue of emotion EIM) float and blend within the depths of a greater ocean of consciousness (QFVPP).
Design strives to make "sense" out of the imagination by entering the subconscious state between awareness and sleep in a symbolic fashion.
“Creative minds have used hypnagogia as a source of inspiration for centuries. When the 19th century chemist Friedrich August Kekule struggled to imagine the structure of the chemical compound benzene, he felt himself dozing off and suddenly visualized the classic ouroboros (an ancient symbol depicting a serpent or dragon eating its own tail) as a series of molecules made out of snakes, each one swallowing the tail of the next snake. The dream inspired him to imagine what the six-membered ring of carbon atoms looked like.”
Hypnagogia is marked by a high level of both alpha and theta brainwaves. As we begin to fall asleep, the brain moves from a prevalence of relaxing alpha waves to drowsy theta waves, but this fluctuation means that no single type of brain wave is dominant during hypnagogia. This synergy in neural activity causes a state of threshold consciousness, where an individual feels “half-asleep” or “half-awake,” and is making the transition from wakefulness towards sleep.
So what does hypnagogia have to do with creativity? During hypnagogia, says Barrett, the prefrontal areas of the brain are less active. The lack of beta waves combined with this decrease in prefrontal activity creates less censorship from the mind, she believes, and more freely allows intense sounds and imagery to be imagined by the individual.
"Hypnagogia is the shortest path for communication from our subconscious,” says Marques-Bonham. “Your subconscious mind might send you solutions through imagery or other sensations.” She likens this to an “aha!” moment, like Archimedes’ famed “Eureka!” realization.
“These transitional states and even dreams are a little bit beyond our rational control, but we can create a climate for them,” says Stanley Krippner, a psychologist based at Saybrook University in San Francisco. “One’s dream-life has a life of its own, but hypnagogia might be more amenable to some kind of patterned control.”
Krippner is quick to emphasize that using hypnagogia to promote creativity requires an individual to define creativity itself. He personally believes creativity has two different aspects: “It’s bringing something new for the world, be it globally, a small community, or even just an individual’s own world; and it has to be useful in some capacity.” In other words, there must be a utilitarian aspect to those creative thoughts, or else they are simply just random firings of the brain; mysterious and exciting to talk to about, but ultimately of no consequence."
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.
HYPOTHETICAL ORIGINS
All is vibration, waves of energy in motion (EIM) become qualified by means of frequency generated "from a within a context outside itself" (ref: Higgs Field). Each frequency becomes measurable both as a particle and a wave.
Waves of energy in motion flow and cross creating patterns of interference while simultaneously taking on the appearance of a "field of energy" (FOE). Under certain circumstances this "state" of energy in motion can be sensed when observed in this measurable moment. Energy in motion is the resource of change by both qualifying and quantifying the Original "perennial constant" (PC).
When waves of energy in motion interfere, their crests become sensed and measurable as their troughs reach deep into the unknown source, i.e. the unconscious. The universe exhibits a Design Process that is dualistic in nature and character.
perennial|pəˈrenēəl|adjective lasting or existingforalongorapparentlyinfinitetime; enduring or continually recurring:his perennialdistrustofthe media|perennialmanifestations of urban crisis.•(of a plant) living forseveralyears:tarragonisperennial.Compare withannual,biennial. •[attributive](of a person)apparentlypermanentlyengagedinaspecifiedrole or way of life:he's a perennial student.•(of a stream or spring) flowing throughouttheyear.
* * * All observations and perceptions of reality are symbolic in character. Design is at the center of the creative process (0), change energy (< >, > <) is design's primary attribute.
primary|ˈprīˌmerē,ˈprīm(ə)rē|adjective1of chiefimportance;principal:the government'sprimary aim is to see significant reductions in unemployment.2earliest in time or order ofdevelopment:the primarystageof their political education.3not derived from, caused by, or basedonanything else:theresearchinvolved the use of primary sourcematerialsin national and local archives.•Biology&Medicinebelonging to or directlyderivedfrom the first stage of development or growth:a primary bone tumor.
Design can be implied, inferred, observed, communicated, "measured" and translated by means of the following symbolic expressions: 0, (< >) or (> <) with "0" signifying the center, the zero point, the source, the origin, the cause, the event horizon. Example: (>0<) = yin energy, (<0>) = yang energy.
The symbols (< >) and (> <) signify what is observable, perceivable, defined, described, measured or implemented as "energy in motion" (EIM) and is generally linear content, form, translation and context. EIM can be both attractive and repulsive. EIM links all energy together into a whole while simultaneously embracing it (0).
By virtue of design the realm of opposites, i.e. duality and three-dimensional space/time, can be observed, interpreted, transformed and translated to be in the same. Unity (0) symbolizes one attribute of design and CE (< >), (> <) the other, together each bring symbolic recognition and balance to the consciousness of the observer/designer. [(<>) + (><) = 0].
The QFVP is multidimensional in content and context therefore not all design events or experiences are sensed, experienced or made conscionable.
Unity appears to be born from within a multidimensional context currently observed within the parameters of 3D spacetime and symbolized in the form of a quantum field of virtual potential (QFVP).
Design (0) is conceptual, change<>energy (-) linear. Balance (>0<) is found in timeless space symbolizes to the point<0>source.
Design is a metaphor for change<>energy, and change<>energy a metaphor for Design.
Design like consciousness have a conceptual (0) origin. The dispersion (< >) of that original concept is origin/source/wholeness/unit/field/system less system appears to be born/emerge/surface from within it.
All that is perceived and/or observed stemming from this wholeness (0) emerge and become dispersed (<>). Dispersion qualifies and disqualifies, i.e. a projection appearing both visible and invisible, a nothingness central to everything, an affect supporting every effect.
dispersion|diˈspərZHən,diˈspərSHən|noun theactionor process of distributing things orpeopleover a wide area:some seeds rely on birdsfordispersion.•thestate of being dispersedovera wide area:the generaldispersion of Hellenistic culture.•Ecologythe pattern of distributionofindividuals within ahabitat.•(alsothe Dispersion)another term fordiaspora. •a mixture of one substance dispersed inanothermedium.•Physicsthe separation of white light into colors, or the separation of any radiation according to wavelength.•Statisticsthe extent to which values of a variabledifferfrom a fixedvaluesuch asthe mean.
<0> symbolizes the oscillation between elements. Each born of a common source<0>zero point. Also described as change<0>energy.
All things appear as fields of change/energy (CE) in perpetual transition and reconfiguration.
Forms are programmed within the context of a virtual field of potential, i.e. change<0>energy (CE), where a line describes a point or network of points, in transition<0>transformation (TT). These points in (TT) describe EIM in the relative forms of a vector, an expanding and contracting (EC) agent in tension/compression (TC).
A point of CE is the fundamental component of all forms of EIM. A point (.) describes the fundamental agent/component in every observation and perception of energy, light and information. The relationship between the point and the line is symbolized (designed) into every form, i.e. sign, letter, word and syntax. All is vibration (V). All is change<0>energy in the process of transition<0> transformation (TT).
The lines describe the path its points the times of (TT). become lines while transforming themselves at every cyclic transition. These formative positions can be described as an event made apparent (aware) in times of timelessness (0), i.e. balance.
(TT) describes an event<0>experience (EE) made consciously aware within a virtual and/or formative moment, i.e. an instant. This instant marks a point of awareness (PA) within a cyclical path of EIM where they become both formless and timeless.
Certain points<>lines of CE transform themselves upon every cyclic transition.
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CONCEPTUAL ITERATIONS
it·er·a·tion|ˌidəˈrāSH(ə)n|nounthe repetition of a process or utterance:what is the use of this constant iteration of the same things?•repetition of a mathematical or computational procedure applied to the result of a previous application, typically as a means of obtaining successively closerapproximationsto the solution of a problem:the equation can only be solved through iteration|this process usually requires at least two levels of computationaliteration.•anewversionof a piece of computer hardware or software:the app is now in itstenthiteration.
What appears as change describes a systemic shift of energy in a QFVPP that causes perceivable turbulence within its own context. The source of this "shift" is the result of a creative dynamic within.
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What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
"We've discovered a new quantum state of matter," Cao said. "It's quantum transition is almost like ice melting into water."
"You have to violate all the conventional conditions to achieve this change," Cao said.
"That disorder can cause "traffic jams" for electrons traveling in the material, Cao said, increasing the resistance and making the honeycomb an insulator. As Cao put it: "Electrons like order."
"He noted that in most materials, the switch of the honeycomb from one electronic state to another happens almost instantaneously, or in the span of a trillionths of a second. But in his honeycomb, that transformation can take seconds or even longer to occur."
Cao suspects the entire structure of the honeycomb begins to morph, with the bonds between atoms breaking and reforming in new patterns. That kind of reordering takes an unusually long time, he noted - a bit like what happens when ice melts into water."
* * *
* * *
Design creates the link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy whose origin rests beyond the subconscious.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and felt.(07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood.(01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and beliefs with love and integrity - the goal: personal, collective and global/planetary balance and harmony.(02.13.2022)
