"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.
THE CONCEPT OF CHANGE/ENERGY
Energy in motion is a broad description of the design "process". Energy in motion describes both energy and change. The design process however, can be best described as a "symbolic process of transformation and transmutation". The design process reveals how change and energy symbolically complement each other within the context of a dualistic universe.
Energy = Particle
Change = Wave
The universe is part and parcel of a symbolic process designed in and out of time and dimension.
CE is critical in understanding, creating and adapting to all blueprints, plans, programs or contexts in the process of being observed and/or experienced.
CE is fundamental to understanding and facilitating the concept of consciousness by means of design.
C/E might be described as creating a portal between states/fields (S/F) of the unconscious, subconscious and consciousness. C/E accommodates the flow of an energy/vibration (E/V) in the form of a frequency felt only by means of perception and observation (PO), i.e. conscious awareness (CA).
The perceiver becomes aware and the observer made conscious through the use and application of symbols and metaphor. Together they describe a designer's tools by clearing a designed path.
CE infers there is a veil between physics and metaphysics yet is integral to the expression of the QFVP. Spaceless space and timeless time create the context required to know, observe and experience the silent purity behind the concept of "spirit". The journey to know this peace and freedom is by virtue of design and discernment.
CE creates the portal between opposites by means of the same process that describes it, i.e. symbol/metaphor, meaning and purpose.
CE goes beyond the constraints of quantum mechanics by guiding awareness in an intimate manner towards knowledge, understanding and greater consciousness. CE by design leads to wisdom.
CE is a metaphor designed to describe a "state in perpetual motion and transformation".
CE brings focus to the metaphysical dynamic between time and timelessness, which in itself defines pure balance and harmony.
CE cannot be fully "measured" due to the wide multitude of perspectives and languages engaged in the process of symbolic translation. A variety of POV focusing upon a commonly shared event or experience creates a symbolic "situation" between the seen and the unseen, the known and the unknown, the perceiver and the observer. There are as many interpretations as there are perceivers and observers, each swayed by the impulse of feeling.
CE can be measured linearly, three dimensionally and conceptually by means of a language designed to be apparent, accessible and known only to its author/creator. All languages are designed and based upon symbol and metaphor.
CE requires a symbolic language of its own.
CE can be intuitively felt, imagined and understood within a commonly shared design language of symbol and metaphor. This is a language made easily accessible and self apparent through observation.
CE describes a state of consciousness that is known only to itself by itself.
CE attracts unity of opposing forces made apparent within the parameters of the present.
CE is key to transformation and transmutation and is understood as being equal to itself.
CE equalizes all forces and impulses of energy and change at certain points of discernment (timelessness). CE appears in multidimensional patterns, matrix and networks in complementary opposition of each other.
Design rarely needs to take a linear path. Linearity is a metaphysical concept made necessary and appropriate for designing within the dimension of 3D space/time. Consciousness' purpose is to enter dimensions unknown by means of a presence made knowable in the present.
CE is experienced as a point of awareness just approaching the pinnacle of a designed consciousness.
CE defines the present as a "position" of awareness balanced between the consciousness of the past and the future.
There are no such things as forms, objects, space and time, only circumstances, situations and contexts designed for conscious and symbolic projection and interference.
Design consciousness conceives, interprets and creates all "forms" of change/energy between context and content, the observer the observed.
Change and energy are one in the same. They merely change as result of the perceiver/observer point of view.
Design creates a utilitarian link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
HYPOTHETICAL ORIGINS
All is vibration, waves of energy in motion (EIM) become qualified by means of frequency generated "from a within a context outside itself" (ref: Higgs Field). Each frequency becomes measurable both as a particle and a wave.
Waves of energy in motion flow and cross creating patterns of interference while simultaneously taking on the appearance of a "field of energy" (FOE). Under certain circumstances this "state" of energy in motion can be sensed when observed in this measurable moment. Energy in motion is the resource of change by both qualifying and quantifying the Original "perennial constant" (PC).
When waves of energy in motion interfere, their crests become sensed and measurable as their troughs reach deep into the unknown source, i.e. the unconscious. The universe exhibits a Design Process that is dualistic in nature and character.
perennial|pəˈrenēəl|adjective lasting or existingforalongorapparentlyinfinitetime; enduring or continually recurring:his perennialdistrustofthe media|perennialmanifestations of urban crisis.•(of a plant) living forseveralyears:tarragonisperennial.Compare withannual,biennial. •[attributive](of a person)apparentlypermanentlyengagedinaspecifiedrole or way of life:he's a perennial student.•(of a stream or spring) flowing throughouttheyear.
* * * All observations and perceptions of reality are symbolic in character. Design is at the center of the creative process (0), change energy (< >, > <) is design's primary attribute.
primary|ˈprīˌmerē,ˈprīm(ə)rē|adjective1of chiefimportance;principal:the government'sprimary aim is to see significant reductions in unemployment.2earliest in time or order ofdevelopment:the primarystageof their political education.3not derived from, caused by, or basedonanything else:theresearchinvolved the use of primary sourcematerialsin national and local archives.•Biology&Medicinebelonging to or directlyderivedfrom the first stage of development or growth:a primary bone tumor.
Design can be implied, inferred, observed, communicated, "measured" and translated by means of the following symbolic expressions: 0, (< >) or (> <) with "0" signifying the center, the zero point, the source, the origin, the cause, the event horizon. Example: (>0<) = yin energy, (<0>) = yang energy.
The symbols (< >) and (> <) signify what is observable, perceivable, defined, described, measured or implemented as "energy in motion" (EIM) and is generally linear content, form, translation and context. EIM can be both attractive and repulsive. EIM links all energy together into a whole while simultaneously embracing it (0).
By virtue of design the realm of opposites, i.e. duality and three-dimensional space/time, can be observed, interpreted, transformed and translated to be in the same. Unity (0) symbolizes one attribute of design and CE (< >), (> <) the other, together each bring symbolic recognition and balance to the consciousness of the observer/designer. [(<>) + (><) = 0].
The QFVP is multidimensional in content and context therefore not all design events or experiences are sensed, experienced or made conscionable.
Unity appears to be born from within a multidimensional context currently observed within the parameters of 3D spacetime and symbolized in the form of a quantum field of virtual potential (QFVP).
Design (0) is conceptual, change<>energy (-) linear. Balance (>0<) is found in timeless space symbolizes to the point<0>source.
Design is a metaphor for change<>energy, and change<>energy a metaphor for Design.
Design like consciousness have a conceptual (0) origin. The dispersion (< >) of that original concept is origin/source/wholeness/unit/field/system less system appears to be born/emerge/surface from within it.
All that is perceived and/or observed stemming from this wholeness (0) emerge and become dispersed (<>). Dispersion qualifies and disqualifies, i.e. a projection appearing both visible and invisible, a nothingness central to everything, an affect supporting every effect.
dispersion|diˈspərZHən,diˈspərSHən|noun theactionor process of distributing things orpeopleover a wide area:some seeds rely on birdsfordispersion.•thestate of being dispersedovera wide area:the generaldispersion of Hellenistic culture.•Ecologythe pattern of distributionofindividuals within ahabitat.•(alsothe Dispersion)another term fordiaspora. •a mixture of one substance dispersed inanothermedium.•Physicsthe separation of white light into colors, or the separation of any radiation according to wavelength.•Statisticsthe extent to which values of a variabledifferfrom a fixedvaluesuch asthe mean.
<0> symbolizes the oscillation between elements. Each born of a common source<0>zero point. Also described as change<0>energy.
All things appear as fields of change/energy (CE) in perpetual transition and reconfiguration.
Forms are programmed within the context of a virtual field of potential, i.e. change<0>energy (CE), where a line describes a point or network of points, in transition<0>transformation (TT). These points in (TT) describe EIM in the relative forms of a vector, an expanding and contracting (EC) agent in tension/compression (TC).
A point of CE is the fundamental component of all forms of EIM. A point (.) describes the fundamental agent/component in every observation and perception of energy, light and information. The relationship between the point and the line is symbolized (designed) into every form, i.e. sign, letter, word and syntax. All is vibration (V). All is change<0>energy in the process of transition<0> transformation (TT).
The lines describe the path its points the times of (TT). become lines while transforming themselves at every cyclic transition. These formative positions can be described as an event made apparent (aware) in times of timelessness (0), i.e. balance.
(TT) describes an event<0>experience (EE) made consciously aware within a virtual and/or formative moment, i.e. an instant. This instant marks a point of awareness (PA) within a cyclical path of EIM where they become both formless and timeless.
Certain points<>lines of CE transform themselves upon every cyclic transition.
* * *
CONCEPTUAL ITERATIONS
it·er·a·tion|ˌidəˈrāSH(ə)n|nounthe repetition of a process or utterance:what is the use of this constant iteration of the same things?•repetition of a mathematical or computational procedure applied to the result of a previous application, typically as a means of obtaining successively closerapproximationsto the solution of a problem:the equation can only be solved through iteration|this process usually requires at least two levels of computationaliteration.•anewversionof a piece of computer hardware or software:the app is now in itstenthiteration.
What appears as change describes a systemic shift of energy in a QFVPP that causes perceivable turbulence within its own context. The source of this "shift" is the result of a creative dynamic within.
* * *
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
"We've discovered a new quantum state of matter," Cao said. "It's quantum transition is almost like ice melting into water."
"You have to violate all the conventional conditions to achieve this change," Cao said.
"That disorder can cause "traffic jams" for electrons traveling in the material, Cao said, increasing the resistance and making the honeycomb an insulator. As Cao put it: "Electrons like order."
"He noted that in most materials, the switch of the honeycomb from one electronic state to another happens almost instantaneously, or in the span of a trillionths of a second. But in his honeycomb, that transformation can take seconds or even longer to occur."
Cao suspects the entire structure of the honeycomb begins to morph, with the bonds between atoms breaking and reforming in new patterns. That kind of reordering takes an unusually long time, he noted - a bit like what happens when ice melts into water."
* * *
* * *
Design creates the link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy whose origin rests beyond the subconscious.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and felt.(07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood.(01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and beliefs with love and integrity - the goal: personal, collective and global/planetary balance and harmony.(02.13.2022)
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
The quantum field of virtual potential and probability is metaphysical in origin and a causal field of all conscious agency.
The QFVPP is physical in presentation and metaphysical in representation, i.e. Design. The QFVPP embraces the intuitive potential and creative imagination of a conscious observer.
AI is merely an abbreviated condensation of the same, composed of a vast array of multidimensional vignettes of light, energy and information.
vignette: a brief evocative description, or episode, a small illustration or portrait photograph which fades into its background without a definite border, produce in the style of a vignette by softening or shading away the edges of the subject.
AI is a by-product of humanity’s own designs made evident, i.e. an exercise in storytelling through sign, symbol, metaphor and analogy, each chapter and episode a lesson in meaning and purpose.
Computer Science Proof Unveils Unexpected Form Of Entanglement
Mordechai Rorvig, Staff Writer, Quanta magazine
A striking new proof in quantum computational complexity might best be understood with a playful thought experiment. Run a bath, then dump a bunch of floating bar magnets into the water. Each magnet will flip its orientation back and forth, trying to align with its neighbors. It will push and pull on the other magnets and get pushed and pulled in return. Now try to answer this: What will be the system’s final arrangement?
This problem and others like it, it turns out, are impossibly complicated. With anything more than a few hundred magnets, computer simulations would take a preposterous amount of time to spit out the answer.
Now make those magnets quantum — individual atoms subject to the byzantine rules of the quantum world. As you might guess, the problem gets even harder. “The interactions become more complicated,” said Henry Yuen of Columbia University. “There’s a more complicated constraint on when two neighboring ‘quantum magnets’ are happy.”
These simple-seeming systems have provided exceptional insights into the limits of computation, in both the classical and quantum versions. In the case of classical or non-quantum systems, a landmark theorem from computer science takes us further. Called the PCP theorem (for “probabilistically checkable proof”), it says that not only is the final state of the magnets (or aspects related to it) incredibly difficult to compute, but so are many of the steps leading up to it. The complexity of the situation is even more drastic, in other words, with the final state surrounded by a zone of mysteriousness.
Each atom has a property, called spin, that is somewhat similar to the alignment of a magnet, in that it points along an axis. But unlike a magnet’s alignment, an atom’s spin can be in a state that’s a simultaneous mixture of different directions, a phenomenon known as superposition. Further, it may be impossible to describe the spin of one atom without taking into account the spins of other atoms from distant regions. When this happens, those interrelated atoms are said to be in a state of quantum entanglement. Entanglement is remarkable, but also fragile and easily disrupted by thermal interactions. The more heat in a system, the harder it is to entangle it.
Now imagine cooling down a bunch of atoms until they approach absolute zero. As the system gets cooler and the patterns of entanglement become more stable, its energy decreases. The lowest possible energy, or “ground energy,” provides a concise description of the complicated final state of the entire system. Or at least it would, if it could be computed.
Their result demonstrates that entanglement is not necessarily as fragile and sensitive to temperature as physicists thought. And it supports the quantum PCP conjecture, suggesting that even away from the ground energy, a quantum system’s energy can remain virtually impossible to calculate.
Jennifer Ouellette, Contributing Writer, Quanta magazine
We already know that genes interact both with other genes and with myriad environmental factors to express traits. “To really understand biological development, we need to know how genes influence the physical elements which generate the observed patterns and, of course, what the actual biological elements are and how they interact with each other,” Murray said. Then again, theoretical modeling has its place. “If all we had to use to understand development was genetics, we would still not know how to build a chicken.”https://www.quantamagazine.org/biologists-home-in-on-turing-patterns-20130325/
The quantum field of Design Consciousness is dependent upon contextual variety - each to a certain degree.
* * *
Embryo Cells Set Patterns for Growth by Pushing and Pulling
“In my opinion we’ve been blinded to how widely it should be applied simply because of its beauty,” said Amy Shyer, a developmental biologist at Rockefeller University. In her view, physical forces of contraction and compression that act on cells as they grow and divide could also play a central role.
As an organism grows and develops, the cells in its tissues pull and push on each other and on the supportive protein scaffolding (extracellular matrix) to which they are intricately linked. Some researchers have suspected that these forces, coupled with changes in the pressure and rigidity of the cells, might direct the formation of complicated patterns. Until now, however, no studies were able to tease apart the effect of these physical forces from the chemical stew in which they simmer.
Later, by adjusting the rate of cell contraction and other variables, the researchers showed that physical tension in the embryonic mass directly affected the pattern. “I think the biggest surprise was the way the cells interacted with the extracellular matrix in this very dynamic way, in order to create these patterns,” Rodrigues said. “We realized that it is a reciprocal dance between the two.”
But Thompson’s ideas were later eclipsed by Turing’s explanation, which connected more easily to the emerging understanding of genes. In a 1952 paper, “The Chemical Basis of Morphogenesis,” published two years before his death, Turing suggested that patterns like spots, stripes and even the sculpted shapes of bones in the skeletonwere the result of a swirling gradient of chemicals called morphogens that interacted with each other as they diffused unevenly throughout the cells. Acting as a molecular blueprint, the morphogens would kick on genetic programs that caused fingers, rows of teeth or other parts to develop.
“We are realizing that all of the molecular gene expression, signaling and the production of forces in cell movement are just inextricably coupled to one another,” said Edwin Munro, a molecular biologist at the University of Chicago who was not involved in the study.
Munro thinks the role of the extracellular matrix is more important than scientists currently realize, though recognition of its more central role in development is building. Recent research has linked forces in the extracellular matrix to the development of fruit fly eggs, for example.
Rodrigues agreed. “It’s like the cells and the extracellular matrix are forming a material in and of itself,” he said. He describes this coupling of contractile cells and extracellular matrix as “active soft matter” and thinks that it points to a new way of thinking about the regulation of embryonic development happening through extracellular forces. In future work, he and Shyer hope to elucidate more details of physical forces in development and to merge them with the molecular view.
“We used to think if we just studied the genome with more and more depth and rigor, all of this would be clear,” Shyer said, but “the answers to the important questions might not be at the level of the genome.” Once it seemed that developmental decisions were made through the interplay of genes and their products within cells, but the emerging truth is that “the decision-making can be happening outside of the cell, through the physical interactions of cells with each other.”
By Morgan Kelly, Office of Communications, Princeton University, Feb. 25, 2014
Researchers from Princeton University and Washington University in St. Louis report that the unusual arrangement of cells in a chicken's eye constitutes potentially and new state of matter known as "disordered hyperuniformity," which has been shown to have unique physical properties. These states have a "hidden order" that allow them to behave like crystal and liquid states of matter. They exhibit order over large distances and disorder over small distances.
Like crystals, these states greatly suppress variations in the density of particles - as in the individual granules of a substance - across large spatial distances so that the arrangement is highly uniform. At the same time, disordered hyperuniform systems are similar to liquids in that they have the same physical properties in all directions.
The researchers' findings add a new dimension called multi-hyperuniformity. This means that the elements that make up the arrangement are themselves hyperuniform. While individual cones of the same type appear to be unconnected, they are actually subtly lined by exclusion regions, which then use to self-organize into patterns. Multi-hyperuniformity is crucial for the avian system to evenly sample incoming light, Torquato said. He and his co-authors speculate that this behavior could provide a basis for developing material that can self-assemble into a disordered hyperuniform state.
The findings also provide researchers with a detailed natural model that could be useful in efforts to construct hyperuniform systems and technologies, Dreyfus said. "Nature has found a way to make multi-hyperuniformity," he said. "Now you can take the cue from what nature has found to create a multi-hyperuniform pattern if you intend to."
* * *
The quantum field of virtual potential and probability describes an unimaginable field of attraction and repulsion ad infinitum.
process1a series of actions or steps taken in order to achieve a particular end. •a natural or involuntary series of changes: •a systematic series of mechanized or chemical operations that are performed in order toproduce or manufacture something:•Computinga series of interdependent operations carried out by computer.•[asmodifier]Printingrelating to or denoting printing using ink in three colors (cyan, magenta, and yellow) and black to produce a complete range of color:process inks.2Lawa summons or writ requiring a person to appear in court.3Biology&Anatomya natural appendage or outgrowth on or in an organism, such as a protuberance on a bone.verb performa series of mechanical or chemical operations on (something) in order tochangeor preserve it: •dealwith(someone) using an official and established procedure: •Computingoperateon (computer data) by means of a program.* * *
- Every observation or perception references a particular situation or circumstance while likewise embellishing a particular meaning and purpose upon a uniquely collective “state of awareness”.
- Focus describes and embraces certain intentions, desires and purposes in the form of a quantum trajectory.
- The QFVPP is governed by means of observation, a field of energy in motion (change) made apparent in the form of quantum perturbation. The QFVPP determines the context for every event and experience that precedes a creative act or gesture, i.e. quantum trajectory (QT)
- The QFVPP is governed by a quantum effect by becoming the source of its every affect.
- A field in correlated oscillation appears to be made self-evident upon observation.
- Ideas surface as result of geometric patterns and networks that emerge from within the constraints of spacetime. Shifts in observation (states of awareness) result by means of entanglement.
- The context in support of every situation gives meaning and purpose to a collective “state of awareness.”
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and felt. (12.10.2022)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective global and soular balance and harmony.(09.01.2022)
* * *
In reference to Design and Design Consciousness, the quantum field of virtual potential and probability (QFVPP) might best be described as a mutable and malleable photonic aether. At much denser levels of observation such aethers will appear as a field of vibrating and at times oscillating, electro-magnetic plasma.
As such, the concept of Light is abstract, relative and yet the “substance” in which dimensions are hewn, constructed, formed and made relatively manifest (holographic). A designer must be wise, accomplished and well skilled in the tools she/he has symbolically created in desire to bring one’s dream to fruition.
To be design conscious you must be more than an observer you must be a participant.