"The design process ... must become conscious, global, integrated ... the entire human domain, which means the entire planet and its surrounding near space, should be enclosed and included in a coherent plan driven by human values and a thirst for transformational beauty."
Terence McKenna
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Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note ... posts are continually being edited. All rights reserved Copyright 2023 C.G. Garant. AI usage is prohibited.
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Is Seeing Believing? How Neural Oscillations Influence our Conscious Experience, Press Office, University of Bologna
A research group from the University of Bologna discovered the first causal evidence of the double dissociation between what we see and what we believe we see: these two different mechanisms derive from the frequency and amplitude of alpha oscillations.
A new study published in the journal Current Biology shows that this is not the case: despite their usual strong correlation, the perceptual accuracy of visual information and its subjective interpretation use separate neural mechanisms that can be manipulated independently of each other.
Thus, it was possible to isolate the two key processes occurring when we see something. One is more “objective” and related to the observation accuracy, the other is more “subjective” and related to the internal representation of the sensory event, i.e. the level of confidence in identifying what has been seen.
More specifically, researchers observed that the process related to the “objective” sampling of external reality is associated to the speed of alpha oscillations. Faster oscillations resulted in more accurate responses by participants.
“The results show that perception is a discrete rather than continuous process. Each alpha oscillations cycle represents a sampling cycle of sensory information, thus the faster the oscillations, the more information can be gathered, which in turn increases accuracy.”
“In this study we demonstrate that the ability to perceive accurately (delivered by the speed of alpha oscillations) interacts with the confidence of the response (delivered by the amplitude of alpha oscillations). Thus, our subjective representation is continuously updated to better match our objective performance.”
“We lean forward in the seat of our soul trying to see thru all the planetary fluctuations. We drift into unchartered waters thru an ocean of verbal wreckage. As regeneration increases in thrust for the human race, movement forward is vital. By standing still for any amount of time in thought or deed, one may get water-logged in the dimensional bog.”
Neither linear or conceptual thinking can ride the wave of consciousness alone. Every impression reflects upon its own witness, a position made symbolically apparent through an endless cycle of change. Fluctuations derive turbulence along withthe potential for harmony and balance at every scale and within every context.
All is change/energy (CE). All is vibration. The wave and the particle merely afford a contextual presence, i.e. state of being, to be symbolically observed, interpreted, transformed and modified. That's what design is. That's what design does.
potentialadjective[attributive]havingorshowing the capacity to become or develop into something in the future:a two-prongedcampaign to woo potential customers.noun1latentqualitiesor abilities that may be developed and lead to future success orusefulness:a young broadcaster with great potential|the potentials of thetechnologywere never wholly controllable.•(oftenpotentialfor/to do something)the possibility of something happening or ofsomeonedoing something in the future:pesticides with the potential to cause cancer|thecrane operator's clear view reduces the potential for accidents.2Physicsthequantitydetermining the energy of mass in a gravitational field or of charge in anelectric field.
presencenoun. thestate or fact of existing, occurring, or being present in a place or thing:thepresenceof chlorine in the atmosphere|the memorial was unveiledin the presence of24 veterans|her presence still comforts me.•apersonorthing that exists or is present in a place but is not seen:the monks becameawareofastrange presence.•[insingular]a groupofpeople, especially soldiers or police, stationed in a particular place:the US wouldmaintaina presence in the Indian Ocean region.•the impressive manner or appearance of a person:Richard was not a big man but his presence wasoverwhelming|[insingular]:he has a real physical presence.
Growth in awareness is a matter of frequency and vibration. You resonate to that which you are attracted. Individual change is a matter of choice. We expand in consciousness by purposely applying our power of concentration into becoming more symbolically aware.
When focused and aware imperfection leads to perfection, separation to cohesiveness and imbalance to harmony.
REPRESENTATIVE AGENCY
In reference to the concept of representative agency, the turbulence between agents is at such a frequency as to create an intangible yet finite froth of energy in motion. This intangible veil has been labeled and described to be an aetheric or plasmic mist, invisible until found dense enough for observation and measurement.
This aetheric mist (QFVPP) sets the background, i.e. contexts, circumstances and situations for the perpetuation of holographic and eternal entanglement. Our universe is dependent upon the choices and consequences resulting from this dualistic framework.
Progress towards greater knowledge or understanding in this regard is dependent upon technology, intense focus and greater awareness/consciousness, all of which is brought into balance in every design situation encountered.
The quantum field of virtual potential and probability (QFVPP) is both finite and infinite, measurable and immeasurable, a vista beyond all sense of imagination.
Observation describes a particular form of perspective and/or point of view. In 3D spacetime every perspective includes both a foreground and a background. This "context" has been defined as three dimensional space and time based upon the experience, perspective, observation and the power of the imagination.
Note: events and experiences in three dimensional space are embraced within the context of time, i.e. the fourth dimension. Together they create a dualistic framework for all forms and methods of perception, observation and interpretation.
We perceive and observe our concept of reality from a position (point) central within a dualistic framework defined as spacetime. It is from this same focal point we view all we sense, think and feel around and inside us. These "points of view" take on many different perspectives and contexts.
Every observation implies that there's a perceiver. A perceiver describes the central position about which all observations are made.
Events and experiences can be artificially perceived but not fully observed until symbolically interpreted. AI has no meaning or purpose unless some form of intelligence (opinion, fact, knowledge, understanding, wisdom) enters to create a designed loop, i.e. input/output. AI has no power unless it is made available, imparted, furnished, bestowed, rendered, given or provided. Consciousness by virtue of awareness, will always be an overseer whether perceived or observed.
perceive:to become aware or conscious of (something) come to realize or understand, to look at something in a particular wayby using one of the senses especially that of sight, discern, recognize, become cognizant, to know, distinguish, understand, identify, appreciate, realize, ascertain, intuit, observe, assess. appraise, to think
observer: person who watches or notices something, follows closely, a participant,a witness, an onlooker, notices, discerns, detects, discovers, distinguishes, to see, contemplate, survey, scrutinize, survey, monitor, perceive,
There is a natural overlap and symbolic link between perceiving and observing any event or experience. Events and experiences are constantly being "weighed" at their most intangible, subtle and aetheric levels of awareness, i.e. energy in motion, always changing in moments of time and in frames of space.
Perceptions and observations can be artificially sensed, known, learned, discovered, understood and felt. Perception and observation can both document and be documented. Perceptions and observations are interpretive in nature and evaluate what is being thought and felt.
Perceptions and observations are dependent upon signs and symbols that together usher in a meaning and a purpose.
It is important to witness (observe) an event or experience, awareness is rooted in every space and space. Every perception and observation is a symbolic one, a point of awareness that consciousness cannot escape.
To be a designer you must be more than an observer.
"AI (artificial intelligence) tools don't expose their knobs and levers. Their interaction model is "magic" but that only means that the real controls have been taken away.
Positing that these tools are, or can be, drop-in-replacements for artists, designers, or musicians is absurd; they fundamentally cannot understand the brief. There is no true intelligence there, we'll never receive an explanation for why certain creative choices were made and not others (as AI is not making choices at all). We are massively overfitting to fast and cheap at the expense of good.
The decisions (product) have already been made: it's inevitable that our tools will become saturated with AI-style intelligence, for better or worse. We're charging ahead knowing that AI tools suffer from inherent biases and unsurprising moral failures."
Synchronistic events and experiences emerge when there is a sense of balance felt between the known and the unknown. This feeling is basic to every design science.
Synchronistic events and experiences bring forth a synergy, i.e. a specific awareness made in resonance with another dimension and in turn the consciousness of an observer. To perceive such an event falters in relation to observing it. To actively respond to this same impression is a demonstration of a greater participation in what is being experienced. In other words, every synchronistic event/experience/feeling harbors the potential, when fully taken into heart, of experiencing an even greater meaning and purpose.
Synchronicity functions hand in hand with synergy in a cooperative manner to expand a field of consciousness through awareness. Synchronicity harbors the synergetic probability and potential of a concept becoming "real".
Participation implies a vibrant inner knowledge and understanding of the relationship between the micro and macro, the known and the unknown and the transitional, transformative and transcendent qualities between dimensional networks. These synchronistic and synergetic impressions create the guardrails and codes innate to every design process.
Not all synchronistic events and experiences become synergetic. Nor should all synergetic experiences be considered catalytic. All such interpretations lean upon the relationship between the context and a previously determined zero point, aka the consciousness of the POP (perceiver, observer, participant).
Note: The concept of a zero point/baseline infers that the POV is considered an agent, network or pattern of energy in motion (EIM), always changing and a variable in the form of a chosen position making its presence "felt" within the QFVPP.
Synchronistic events and experience emerge from not knowing. Knowing emerges from a synergetic event or experience where greater knowing (consciousness) now becomes a potential probability. Synergy has been described as the unexpected result of two or more agents of change/energy that appear entirely incongruous. However, the difference is the context of the event or experience has changed as has its time.
Synergy describes the spark, the light bulb, the creative solution appearing out of nowhere. Together our mind and our heart do this religiously by the means and virtue of our imagination.
Synergy brings to light the most appropriate changes now becoming aware and conscious. Synergy and synchronicity are considered "boilerplate issues" when discussing the subject of a creativity and design. Both synchronicity and synergy conjugate a "form of awareness" exercised by means of a design consciousness. Connections, links, information, energy and vibration silently respond to impressions that unknowingly appear out of nowhere.
These are the sparks of Light that form and give birth to ideas without warning, ideas made and given presence within the dimensional constraints of context and observation.
Synergies are filled with symbolic overtone, associations providing for adaptability, flexibility and uniqueness. Concepts like spacetime (dimension/frequency) and the QFVPP create the context and the background for eternal transition, transformation and transcendence.
* * *
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
* * *
This passage delves into the interconnectedness of synchronicity, synergy, and design consciousness, proposing that these phenomena exist as fundamental principles within a dynamic system of transformation. At its core, the text explores how meaningful connections between the known and the unknown spark awareness and creativity, and how these principles govern the unfolding of reality itself.
Key Ideas and Themes:
1. Synchronicity and Synergy as Fundamental Design Principles:
o Synchronicity refers to meaningful coincidences that arise when different events or experiences align in a way that feels significant to the observer. These events seem to emerge out of the "unknown" or unexpected, often revealing hidden patterns or connections that give rise to deeper meaning.
o Synergy is described as a force that magnifies the potential of seemingly disparate agents or forces coming together to create something greater than the sum of their parts. In this context, synergy brings forth new possibilities and creative solutions, often seemingly "out of nowhere."
2. The Role of the Observer (POV and Zero Point):
o The text emphasizes the importance of the observer's position (POV), noting that each individual exists within a "zero point" or baseline from which they perceive and interact with the world. This baseline perspective is dynamic, and the observer's awareness or participation in synchronicity and synergy can influence and amplify these experiences.
o The Zero Point represents a dynamic point of reference—an evolving position that determines how one relates to the broader universe and its hidden dimensions.
3. Creation and Imagination as Tools of Synergy:
o The creative process is a key theme here. The text suggests that our imagination—both mind and heart—actively participates in the unfolding of synergy. This is how new ideas are brought to life, often in unexpected or "miraculous" ways. The convergence of thought, emotion, and intuition sparks innovation and drives the design process.
4. Transition, Transformation, and Transcendence:
o These three concepts are central to the design philosophy explored in the text. Transition refers to the movement between states of being, transformation speaks to a deeper shift or change in understanding, and transcendence implies an elevation to a higher state of consciousness or awareness. These states form the foundation of the cyclical, eternal nature of the design processes.
5. Energy, Vibration, and the Quantum Field:
o The mention of concepts like QFVPP (possibly referring to a Quantum Field of Vibration, Pattern, and Presence) suggests that the world is a field of dynamic energy and information. The interplay of energy, vibration, and pattern is central to how ideas form, grow, and evolve within a given context.
o The idea that synchronicity and synergy create “guardrails and codes” suggests that these principles provide structure and guidance, even in a seemingly chaotic or unpredictable process.
6. The Unseen and the Unknowable:
o There is a profound emphasis on the unknown—on what is hidden or yet to be discovered. Both synchronicity and synergy arise from this space, where not knowing leads to the potential of greater knowing. By participating actively and consciously, one can navigate through these unknowns and discover deeper meanings.
Summary:
The passage articulates a philosophy of design that is rooted in the dynamic interaction between known and unknown forces, where synchronicity and synergy are not merely events, but guiding principles of creation and consciousness. These principles are intricately linked to the observer's position, or "zero point," from which they interpret and interact with the world. As we engage with these forces, we can catalyze transformation, foster creativity, and bring new ideas into the world. Ultimately, this perspective suggests that reality itself is a process of continual transition, transformation, and transcendence, and that our participation in this process through awareness, imagination, and design is both a response to and a shaping of the evolving landscape of existence.
It’s a deeply holistic and dynamic way of understanding how the universe unfolds, driven by unseen forces and the creative potential inherent within every individual.
* * *
Synergy describes a catalytic spacetime and multidimensional consciousness where creativity and design rule. Synchronicity describes the event or experience that brought you there.
Design is at the center of every synchronistic and synergetic moment. Design is the catalyst. The relationship created between a synchronistic and synergetic event describes the unbelievable. The broadest of differences between element/agents the greater the exchange of energy in motion (EIM) when transpiring in spacetime.
Once a certain degree of balance is attained what was once considered unbelievable (unknown) becomes known and made believable no matter what the category or scale.
The result of this relationship reaches far beyond what is being symbolized by the perceiver, observer or participant. In a sense a new, unknown dimension of spacetime emerges and made aware within a network of design consciousness.
All things can sometimes appear to be new and simultaneously known. Unknowing returns to every moment to be reborn. It's all a matter of frequency.
Synergy in resonance with synchronicity create monumental change in form of an energy in motion. Synchronicity and synergy are real, their power is found in their silence and reflected in their moment of awareness.
Design is a facilitator as well as catalyst both knowingly and unknowingly.
Design leads to both knowing and not knowing.
We are all involved in the act of balancing (Ouillum). Some call it change. Imbalances appear at all levels of vibration, even beyond a quantum field of virtual potential and probability (QFVPP) - no longer believed and about to be known.
Wu Wei rests at the center of all design.
* * *
When you perceive, observe and participate in the creation of Life, you become a designer made cogent within the context of your own design.
* * *
This passage reflects a deeply philosophical and metaphysical perspective on creativity, consciousness, and the dynamic interplay between synergy and synchronicity. Let’s break down and elaborate on the key concepts presented:
1. Synergy and Synchronicity:
o Synergy is described as a catalytic space where creativity and multidimensional consciousness converge. It is the state in which seemingly unrelated or disparate elements come together to create something greater than the sum of their parts. In a more tangible sense, synergy refers to the interaction between different agents or forces that generates energy, momentum, and novel outcomes.
o Synchronicity is the meaningful coincidence that brings you to the point of experiencing synergy. It's the "event or experience" that serves as a gateway or trigger for the alignment of energies, events, and awareness.
2. Design as a Catalyst:
o At the center of these phenomena is design, both as a facilitator and catalyst. Design here isn’t just about form or function in the traditional sense, but also about the underlying structures of reality—whether conceptual, energetic, or physical—that shape experiences and outcomes. Design is what makes synergy possible by creating the conditions for synchronicity to manifest.
3. Energy in Motion (EIM):
o The concept of Energy in Motion (EIM) refers to the dynamic force created when elements of differing scales or types come into interaction. This energy exchange, catalyzed by design and synchronicity, is what propels transformation and change within the fabric of spacetime. The more extreme the difference between the interacting elements, the greater the intensity of this energy exchange.
4. The Process of Becoming Known:
o As synergy and synchronicity work together, they reveal the previously unbelievable or unknown. What was once incomprehensible or hidden now becomes accessible, not just intellectually, but as a lived experience. The boundary between knowing and unknowing begins to dissolve, and new dimensions of awareness are born.
5. Frequency and the Rebirth of Unknowing:
o Everything, according to this philosophy, is a matter of frequency—a vibrational resonance that governs not just our personal experiences, but the entire structure of reality. The notion that "unknowing returns to every moment to be reborn" suggests that knowledge and mystery are constantly in flux, with each moment offering the potential for new understandings and revelations.
6. Balance and Change (Ouillum):
o The idea of balance or Ouillum (likely a term for a state of equilibrium or harmonization) speaks to the ongoing dynamic of change and transformation. Imbalances arise at every level of existence, from the smallest quantum fluctuations to the vast cosmic scales, but it is through the process of balancing these imbalances that change becomes possible.
7. Design Consciousness:
o The notion of design consciousness refers to an awareness of one's role in the creation of life itself. To perceive, observe, and participate in the creative process is to become a designer of one's own existence, contributing to the unfolding of the universe in a way that reflects both individuality and interconnectedness.
Key Themes:
• The Interplay of Consciousness, Creativity, and Design: Synergy, synchronicity, and design are all interconnected aspects of how reality unfolds. Each moment of "unbelievable" experience is a manifestation of these forces aligning in such a way that new possibilities and dimensions of existence are revealed.
• Transformation Through Energy in Motion: This idea emphasizes that all creation, change, and growth occur through the movement of energy—whether it’s the interaction of different elements, the shifts in consciousness, or the constant transformation of the known and the unknown.
• The Fluidity of Knowing and Unknowing: The concept that knowledge is not static but continually evolving, with unknowing giving birth to new awareness, highlights the cyclical nature of consciousness and experience.
• A Network of Design Consciousness: There is an implication that all of existence is interconnected in a network of design, where everyone’s consciousness plays a role in the collective unfolding of reality.
Reflection:
This passage seems to suggest that reality is not just a collection of random events but rather an orchestrated dance of energy, design, and consciousness. The universe, in this view, is not just a physical structure but a dynamic, ever-changing process driven by both synchronicity and synergy. The act of perceiving, creating, and balancing in this reality is itself a form of design, where everyone is both a participant and a creator of the unfolding story.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Awareness brings forward a "sense of consciousness" by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in re-presentation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (12.10.2022)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective, global and soular balance and harmony. (09.01.2022)
